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Socialistična in demokratična cenzura v Sloveniji: primer predstave Pupilija papa Pupilo pa Pupilčki
Troha, Gašper (Author)

URLURL - Presentation file, Visit http://www.dlib.si/details/URN:NBN:SI:DOC-HPSBWJ4Y New window

Abstract
Sodni procesi proti pisateljem (npr. Matjažu Pikalu in Bredi Smolnikar) ne odpirajo le zanimivih vprašanj o razmerju med literaturo in realnostjo, ampak kažejo tudi določene spremembe oblik cenzure po padcu komunizma. V času socializma (natančneje po l. 1956) je oblast večinoma napadala literarna dela oz. gledališke predstave, kar je avtorjem omogočilo, da so ustvarjali naprej in jim kot disidentom prineslo določeno mero popularnosti. Članek se ukvarja z dvema uprizoritvama Pupilije papa Pupila in Pupilčkov, ki sta sprožili polemične odzive tako l. 1969 kot ob ponovni postavitvi l. 2006. S pomočjo analize teh reakcij lahko opišemo spremembe v formalnem in neformalnem nadzoru kulturnega polja.

Language:Slovenian
Keywords:literatura in cenzura, slovenska dramatika, slovensko gledališče, Jovanović, Dušan, Hrvatin, Emil, gledališke predstave, rekonstrukcije
Work type:Not categorized (r6)
Tipology:1.01 - Original Scientific Article
Organization:FF - Faculty of Arts
Year:2008
Publisher:Slovensko društvo za primerjalno književnost
Number of pages:Str. 95-101 + 251-258
Numbering:31
UDC:792.03(497.4):351.758.1
ISSN on article:0351-1189
COBISS.SI-ID:38340450 Link is opened in a new window
Views:488
Downloads:93
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Record is a part of a proceedings

Title:Literatura in cenzura
COBISS.SI-ID:37376354 New window

Record is a part of a journal

Title:Primerjalna književnost
Shortened title:Primer. književ.
Publisher:Slovensko društvo za primerjalno književnost
ISSN:0351-1189
COBISS.SI-ID:8744704 New window

Secondary language

Language:English
Title:Communist and democratic censorship in Slovenia: the case of Pupilija papa Pupilo pa Pupilčki
Abstract:
Recent lawsuits against writers (cf. Pikalo and Smolnikar) have not only raised the issue of relations between literature and reality, but also have illustrated an interesting transformation in censorship practices in Slovenia after the fall of communism. Under communism the authorities usually suppressed literary texts or theatre performances, a practice that enabled theartists to continue with their work while bringing them a considerable increase in popularity. The article analyses the case of the show Pupilija papa Pupilo pa Pupilčki, which stirred up significant controversy both in 1969and in 2006, when it was restaged/reconstructed. Differences in reactions to this show demonstrate changes in formal and informal control over cultural events.

Keywords:literature and censorship, Slovenian drama, Slovenian theatre

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