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Jezikovni eksperimenti na likovnem prizorišču sodobnosti
Zgonik, Nadja (Author)

URLURL - Presentation file, Visit http://www.centerslo.net/files/file/simpozij/simp29/54_Zgonik.pdf New window

Abstract
Raba jezika v sodobni slovenski likovni umetnosti ni toliko usmerjena v jezikovne eksperimente, kot je bila v obdobju ohojevskega konceptualizma šestdesetih let, in se bolj nagiba k manipulaciji z žanri, oblikami knjižnih izdaj, izumljanjem novih črkovnih vrst, z dekonstruiranjem jezikoslovja ter njegovih ustanov pa se najraje provokativno loteva slovenske narodnostneč identitete. Besedilo predstavi raznovrstne primere rabe jezika v sodobni umetniški likovni proizvodnji tandema Aleš Šteger in Dušan Fišer, Janeza Bernika, Zore Stančič, Marjetice Potrč, Alenke Pirman, Damijana Kračine, Vuka Ćosića in Jake Železnikarja.

Language:Slovenian
Keywords:slovenska književnost, slovenski pisatelji, slovenski umetniki, večmedijska umetnost, jezik, likovna umetnost, beseda in podoba, sodobna umetnost, slovenska umetnost
Work type:Not categorized (r6)
Tipology:1.16 - Independent Scientific Component Part or a Chapter in a Monograph
Organization:ALUO - Academy of Fine Arts and Design
Year:2010
Number of pages:Str. 403-409
UDC:7.038.532:821.163.6.09"197/20"
COBISS.SI-ID:2774894 Link is opened in a new window
Views:517
Downloads:191
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Secondary language

Language:Slovenian
Abstract:
The use of language in contemporary Slovene visual arts has fewer experimental aspirations than it had in the period of the OHO group style of conceptual art in the Sixties, and is more focused on the manipulation of genres, forms of book printing and the invention of new typographies; it also tries to challenge Slovene national identity with the deconstruction of linguistics and its institutions. Different approaches to the use of language in contemporary art are examined, including the tandem Aleš Šteger and Dušan Fišer, as well as Janez Bernik, Zora Stančič, Marjetica Potrč, Alenka Pirman, Damijan Kracina, Vuk Čosić and Jaka Železnikar.


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