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Avtenticizem v sodobni slovenski literarni kritiki : diplomsko delo
Prah, Uroš (Author), Kos, Matevž (Mentor) More about this mentor... This link opens in a new window, Kreft, Lev (Mentor) More about this mentor... This link opens in a new window

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Abstract
Diplomsko delo sledi ključnim genealoškim prelomnicam dispozitiva avtetničnosti, predvsem pa njegovim pojavnim oblikam v zgodovini literarnega vrednotenja in pri tem pokaže, da svojega osrednjega mesta v literarnem panteonu ni začel dobivati šele v romantiki, temveč že v razsvetljenstvu. Namen tega zgodovinskega ekskurza je pokazati, da je avtentičnost integralni element pojma literature (ki nastane v času, ko je dispozitv avtentičnosti v Evropi že zelo dominanten) in njenih osrednjih kategorij: avtor, delo, bralec itn. Zato pa se tako literarna veda kot kritika, kljub številnim teoretskim in literarnim poskusom (nekatere od teh naloga jemlje kot svoje izhodšče) ne moreta zares znebiti tega dispozitiva; še več: sodobne prakse teh disciplin pogosto zapadajo v revizionizem in vero v avtentično jedro, ki naj bi konstituiralo tako "izkušnjo literarnega dela" kot sodobni subjekt nasploh. Diplomsko delo to pozicijo imenuje avtenticizem. Nato na izbranih primerih pokaže, kako avtenticizem v sodobni slovenski literarni kritiki vodi v cinizem in trdovraten literarni misticizem kot dve plati iste medalje, vendar na koncu nakaže tudi pot iz te zagate, ki je lahko zgolj v tem, da se literarna kritika (in veda) ove(-sta) svojega lastnega avtenticizma in se kritično sooči(-ta) z njim.

Language:Slovenian
Keywords:literatura in filozofija, literarno vrednotenje, slovenska literarna kritika, avtentičnost, avtenticizem, misticizem, cinizem, diplomsko delo
Work type:Undergraduate thesis (m5)
Tipology:2.11 - Undergraduate Thesis
Organization:FF - Faculty of Arts
Publisher:[U. Prah]
Number of pages:82 f.
UDC:82.0-95:111.852
COBISS.SI-ID:61827938 Link is opened in a new window
Views:61
Downloads:36
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Secondary language

Language:English
Abstract:
The diploma thesis follows the crucial genealogical ruptures of the dispositif of authenticity, foremost its forms of occurrence in the history of literary valuation and thus shows that its central place in the literary pantheon wasn't gained in Romanticism, but already in the Enlightenment. The purpose of this historical excursus is to show that authenticity is an integral element of the establishement of the concept of literature itself (which arises at the time, when the dispositif of authenticity in Europe is already dominant) as well as its focal categories: the author, the work, the reader, etc. This is why both literary science and critique, despite numerous theoretical and literary attempts (some of them are used as a basis for this thesis), cannot get rid of this dispositif; even more: contemporary practices of these disciplines often fall into revisionism and the belief in an authentic core that should supposedly constitute the "experience of the literary work" as much as the contemporary subject in general. The diploma thesis names this position authenticism. Through the chosen examples it si shown, how authenticism in contemporary Slovenian literary critique leads into cynicism and an inveterate literary mysticism as two sides of the same medal; but at the end it also marks a way out of this problem, which can only be in the realization of literary critique (and science) of its (their) own authenticism and its (their) critical confrontation with it.


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