20.500.12556/RUL-99908 Človek v dimenzijah tekstila in umetnosti Human Being in Dimensions of Textiles and Art Diplomsko delo obravnava človeka v povezavi s tekstilom in umetnostjo. Beseda človek je tako obsežen pojem, da so izbrani le trije vidiki človekovega življenja: nastanek človeškega bitja, človek kot telo, duša in duh ter človek kot socialno bitje. Ključna točka človeka je roka: je orodje za preživljanje, sredstvo komuniciranja. Kadar gre za roko umetnika, roka pomeni stik med stvarnostjo in domišljijo. Domišljija postane še posebno stvarna, kadar človek oblikuje tekstil. V ključnih dogodkih človekovega življenja, kot so rojstvo, smrt, dvorjenje, poroka, verski obredi idr., je tekstil nosilec simbolnega pomena, bodisi v oblačilu bodisi v dekorativnih predmetih. Človek je pogosta tema umetniških del. Diplomsko delo omenja avtorje, ki raziskujejo formo človeškega telesa, in avtorje, ki v svojih delih raziskujejo tekstil v odnosu do drugih materialov. Razmišljanje o ustvarjanju nas spomni na sorodni pojem – stvarjenje. Stvarjenje pogosteje kakor z umetnikom povezujemo z Bogom. Vendar je tudi umetnik svojemu umetniškemu produktu stvarnik, zato mu upravičeno lahko rečemo »podoba stvarnika«. Misli iz teoretičnega dela so porodile ideje, skice pa so spodbudile eksperimente. V eksperimentalnem delu je nastala kolekcija skulptur in inštalacij v mešanih tehnikah, pri tem je pozornost usmerjena na uporabo različnih vrst tekstila v povezavi z glino. Tekstilna umetnost je v tesni povezavi s sodobnimi umetniškimi praksami. Inštalacije so spodbudile akcije, te pa so inspirirale fotografijo ter video v studiu in v naravi. Odprl se je socialni dialog s publiko, ki je bila povabljena, da vstopi v umetniške akte na način performansa ali t. i. »odprtega ateljeja«. Diploma thesis discusses humans in connection to the textile and art. A word human has a rather wide concept so I have chosen only three aspects of a human life: the conception, human as body, soul and spirit, and human as a social being. The most important part of a human are his hands. They are his tool for survival, his means of communication. When dealing with the hands of an artist, the hands betoken the connection between the real and imaginary worlds. Especially when designing textiles, the imaginary world gets closer to the real one. In the key moments of a humans life, such as birth, death, courtship, marriage, religious ceremonies, etc., textile carries a symbolic meaning, be it in a form of a clothing or decorative objects. Human is often a subject of artistic endeavours. Dissertation makes reference to different authors who explore the structure of a human body and authors who in their works look into the textile in relation to other materials. Pondering over artistic endeavours reminds us of a related concept – the Creation. It is more commonly connected to God than to an artist, but even an artist per se is the creator of his own art, that is why we can justifiably acknowledge them as "the representatives of the Creator". My claims/hypothesis from the theoretical part led to ideas and sketches led to experiments. In the practical part a collection of sculptures and installations with mixed techniques was made. With that, the focus is on the usage of different kinds of textile in connection to clay. Textile design is in close relation to the modern-day artistic practices. Installations have prompted actions and consequently photography and film in studios, as well as in nature. A social discourse with the public has opened with people being invited to enter the artistic acts by means of a performance or so-called "open studio". tekstilna umetnost človek mešane tehnike inštalacija skulptura Textile design human mixed techniques installation sculpture true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2018-02-21 07:15:09 2018-02-21 07:15:29 2022-08-24 17:09:25 0000-00-00 00:00:00 2018 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 59985 624.pdf 624.pdf 1 2C862952747F24A876FE66E77E0F6C14 75768cd0d8d43839cfb821bdfab370d8fde2bc4417d9b6282c6218c88d2ba174 a6939c32-a1b4-11eb-a523-00155dcfd717 20.500.12556/rul/8343c6af-e092-4f10-8f05-5629322f1691 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=109538 Naravoslovnotehniška fakulteta 0 0 0