20.500.12556/RUL-88495 Med keramiko in kiparstvom diplomsko delo Between ceramics and sculpture Že od ranega človeštva je keramika v pomoč ljudem. Kakor se je človeštvo razvijalo, tako so njegove potrebe naraščale, zato je keramika razvila neskončno število oblik. S svojim izvorom v praktičnem nam sugerira uporabnost, zato nam beseda keramika še vedno prikliče v spomin posodo, uporabno keramiko s katero imamo največ opraviti. Uporabna posoda je začetek in osnova keramike. Enostavna posoda se razvije v sestavljeno, ta v še bolj zapleteno. Prostoročnemu oblikovanju se pridružijo še druge tehnike izdelave, odtiskovanje in odlivanje v kalup, oblikovanje na vretenu. Površina postaja vedno pomembnejša. Z uporabo barvnih glazur se keramika preveša v slikarstvo, z dodatkom modeliranih aplikacij pa drsi v kiparstvo, dokler ta ne prevlada nad posodo. Posoda postane neuporabna, postane kip. Keramični kip na koncu postane samoreferenčen. Reprezentira (misli) samega sebe, preverja možnosti in zahteve materiala ter tehnološke postopke, iz katerih sestoji. Already fom early ages of mankind ceramics has a purpose of making life easier for people. As mankind evolved, so did its needs and ceramics evolved an infinite number of forms. With its origin in the practical aspect it suggests its usefulness and therefore the word ceramics still evokes to memory a pot, a functional ceramics, which we deal with the most. A functional pot is the beginning and basis of ceramics. A simple pot evolves into combined and further into an even more complex one. A hand-free design is joined by other manufactoring techniques, pressing and casting into a mould, wheel throwing technique. The surface is becoming increasingly important. With the use of color glazes the ceramics is becoming painting, with the addition of modeled applications it is slipping into sculpting until it prevails over the pot. The pot becomes useless, it becomes a sculpture. Finally, a ceramic sculpture becomes self-referential. It represents (thinks) itself, it explores options and requirements of the material and technological procedures it is made of. keramika keramično kiparstvo keramična posoda kiparstvo iz gline ceremonija pitja čaja Paul Gauguin Joan Miró sculpture kiparstvo true false false [J. Outrata] Slovenski jezik Angleški jezik Diplomsko delo 2017-01-11 02:14:29 2017-08-31 08:05:00 2025-04-17 04:52:48 0000-00-00 00:00:00 2016 0 0 65 f. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 73(043.2) 11274313 Jan_Outrata_Diplomsko_delo.pdf Jan_Outrata_Diplomsko_delo.pdf 1 79162DF4652A0FA9EA0F937D5E89F68D f3d33a1b70cb1e8ed152dac1f67eacf8ee6c4277053b21662a6b610278e5d76d e1c20f0a-1aac-11f0-b232-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=205326 Pedagoška fakulteta 0 0 0