Geometrija slike
V teoretičnem sklopu diplomskega dela sem raziskala začetke abstraktnega slikarstva s Kandinskim (1866 - 1944) na čelu, kakšni so bili vzgibi za razvoj abstrakcije, in se dotaknila dveh pomembnih pionirjev geometrične abstrakcije, suprematista Kazimirja Maleviča (1878 – 1935) in neoplasticista Pieta Mondriana (1872 - 1944). Nadalje sem opisala pot nastajanja modernistične slike dveh vidnejših predstavnikov; Ad Reinhardt (1913 -1967) je svoj umetniški opus ustvarjal z analitičnim pristopom, z idejo o zadnji še možni sliki. Frank Stella (1936 -), ki ga uvrščamo med postslikovito abstrakcijsko srenjo, je prav tako v monokromatskih, izčiščenih slikah iskal absolutno harmonijo in ga uvrščamo med začetnike minimalizma. Med slovenskimi slikarji geometrijske abstrakcije sem se naslonila na abstraktni kolorizem Gustava Gnamuša (1941 - ) in Zdenke Žido (1959 - ) ter iskala povezave z lastnim delom. Pri slednjem sem povzela razloge za izbor barve, izbiro formata in tehnike nanašanja barve. Pri pedagoško-raziskovalnem delu me je zanimala stopnja razumevanja moderne umetnosti v tretji triadi osnovne šole.
Theoretical part of the thesis describes my research on beginnings of abstract painting primarily considering Kandinski (1866 - 1944) and what were the reasons for development of abstraction. Further are described two important pioneers of geometrical abstraction suprematist Kazimir Malevič (1878 – 1935) and neoplasticist Piet Mondrian (1872 - 1944) and also a way of modern painting creation of two of most exposed representatives. First is Ad Reinhardt (1913 -1967), who has conceptualized his work in a very analytic way with an idea of the very last possible painting in mind. And second Frank Stella (1936 - ), who is one of new abstract art creators has also been searching for monochromatic, pure painting in absolute harmonic compositions and is one of the beginners of minimalism. Concerning Slovene geometrical abstract painters focus is on paintings by Gustav Gnamuš (1941 - ) and Zdenka Žido (1959 - ), among which I try to find correlations with my work. I described main influences of my work, importance of blue colour, the size of format and painting technique. In my pedagogic research I put interest in level of understanding abstract art in higher classes of primary school.
2016
2016-10-13 03:47:27
1060
Geometrijska abstrakcija
Geometrical abstraction
m5
Bernarda
Tajnšek
70
Zdenko
Huzjan
991
COBISS_ID
3
11232329
0
Predstavitvena datoteka
2016-10-13 03:47:35