20.500.12556/RUL-190584 Egipt in Aleksandrija skozi oči slovenskega popotnika v 19. in začetku 20. stoletja Egypt and Alexandria through the eyes of a Slovenian traveler in the 19th and early 20th centuries Magistrsko delo obravnava orientalizem v slovenskem potopisju 19. in začetka 20. stoletja s poudarkom na opisih Egipta in Aleksandrije. Izhajajoč iz Saidove teorije orientalizma, delo analizira, kako so slovenski popotniki – kljub svojemu specifičnemu položaju manjšinskega naroda v Habsburški monarhiji – v svojih zapisih reproducirali prevladujoče zahodnoevropske diskurze o Orientu kot kulturno, moralno in civilizacijsko drugačnem prostoru. V središču analize so potopisi osmih avtorjev: Frančiška Lampeta, Luke Jerana, Antona Jeharta, Franca Šegule Serafina, Bogumila Vošnjaka, Ivana Knifica, Mihaela Verneta in Josipa Zidanška. Skozi podrobno branje njihovih del se razkrivajo ponavljajoči se motivi – brezčasnost in stagnacija Egipta, eksotika in drugačnost tamkajšnjih prebivalcev, negativna percepcija islama ter obenem globoko spoštovanje do antičnih spomenikov, zlasti piramid in Sfinge. Posebno pozornost delo namenja ambivalentnosti orientalističnega diskurza, v katerem se prepletajo prezir in občudovanje, zavračanje in fascinacija. Analiza pokaže, da slovenski potopisci niso le pasivni posredniki zahodnih stereotipov, temveč so aktivno soustvarjali podobo Orienta za slovenskega bralca. The master’s thesis examines Orientalism in Slovenian travel writing of the 19th and early 20th centuries, with a focus on descriptions of Egypt and Alexandria. Drawing on Said’s theory of Orientalism, the study analyzes how Slovenian travelers—despite their specific position as a minority nation within the Habsburg Monarchy—reproduced dominant Western European discourses that portrayed the Orient as a culturally, morally, and civilizationally different space. At the center of the analysis are travel accounts by eight authors: Frančišek Lampe, Luka Jeran, Anton Jehart, Franc Šegula Serafin, Bogumil Vošnjak, Ivan Knific, Mihael Vernet, and Josip Zidanšek. Through a close reading of their works, recurring motifs emerge: the timelessness and stagnation of Egypt, the exoticism and otherness of its inhabitants, negative perceptions of Islam, and at the same time a deep admiration for ancient monuments, especially the pyramids and the Sphinx. Particular attention is given to the ambivalence of orientalist discourse, in which contempt and admiration, rejection and fascination intertwine. The analysis shows that Slovenian travel writers were not merely passive transmitters of Western stereotypes, but actively co-created the image of the Orient for Slovenian readers. orientalizem slovensko potopisje Egipt Aleksandrija 19. stoletje Edward Said orientalism Slovenian travelogue Egypt Alexandria 19th century Edward Said true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2026-10-30 07:45:09 2026-10-30 07:45:17 2026-10-31 04:34:03 0000-00-00 00:00:00 2026 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 647553 64518.pdf 64518.pdf 1 85DA72930D943666E724C185908EA9D4 189fe3d6bef0cde2500a25b09aa660c1eeaeb46ad510cfda3f88395090379dc7 6e16a659-d42d-11f1-aea2-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=252098 Filozofska fakulteta 0 0 0