20.500.12556/RUL-190562 Orientalism and the universal museum the cases of Orient seduction (2008) vs. Stately Demeanour (2020) Orientalizem in univerzalni muzej primer Orientalnega zapeljevanja (2008) vs. Dostojanstvena drža (2020) The article focuses on unravelling the discourses that guide the expographies of two exhi­bitions that are distinct, but which have Asia at their thematic core. The work is based on decolonial literature, drawing on notions developed by Edward Said, Aníbal Quijano and Homi K. Bhabha, which are used to decipher the narrative present in the exhibition Se­duction of the Orient (2008) at the National Historical Museum in Brazil. From the anal­ysis of this exhibition under decolonial concepts, a comparative examination is structured with the exhibition Stately Demeanour: Costumes of the Qing Emperors and Empresses from the Collection of the Palace Museum (2020) at the Macao Museum of Art. In order to better explain the curatorial differences and their nuances, two similar items belonging to the Qing dynasty, one from each show, were highlighted and both their expographies and catalogues were analysed in a comparative line. The work then investigates, using two similar pieces, the different understandings of Asia expressed in the expographic discourses, and seeks to point out the premises behind these differences and the modes of representing otherness within the museum-exhibition space. Članek se osredotoča na razreševanje diskurzov, ki vodijo ekspografiji (način postavi­tve zbirke) dveh razstav. Ti razstavi sta sicer različni, vendar tematsko osredotočeni na Azijo. Delo temelji na dekolonialni literaturi ter se opira na pojmovanja Edwarda Saida (2003), Aníbala Quijana (2005) in Homija K. Bhabhe (1998), s pomočjo katerih dešifrira naracijo, prisotno v razstavi Orientalno zapeljevanje (2008), postavljeni v Narodnem zgodovinskem muzeju v Braziliji. Na podlagi analize te razstave v okviru dekolonialnih konceptov je vzpostavljena primerjalna analiza z razstavo Dostojanstvena drža: oblačila cesarjev in cesaric dinastije Qing iz zbirke Palačnega muzeja (2020) v Muzeju umetnosti v Makau. Da bi lažje pojasnili razlike v pristopu kustosov in njihove odtenke, sta iz­postavljena dva podobna predmeta iz dinastije Qing z obeh razstav, pri čemer so primer­jalno analizirani njuni ekspografiji in kataloga. Prispevek nadalje razišče različno razu­mevanje Azije, kot ga prikaže diskurz ekspografije, ter poskuša izpostaviti predpostavke teh razlik in načine reprezentacije Drugega v okviru muzejsko-razstavnega prostora. expography Orientalism Seduction of the Orient National Historical Museum (MHN) Macao Museum of Art ekspografija orientalizem Orientalno zapeljevanje Narodni zgodovinski muzej (MHN) Muzej umetnosti v Makau true false true Angleški jezik Slovenski jezik Članek v reviji 2026-10-29 15:35:16 2026-11-05 15:27:58 2026-11-06 04:29:14 0000-00-00 00:00:00 2026 0 0 Str. 295-317 no. 2 Vol. 14 2026 0000-00-00 Zaloznikova Objavljeno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 2232-5131 10.4312/as.2026.14.2.295-317 Felipe+Ramos,+Gomes+de+Oliveira,+de+Sousa+Barreto.pdf Felipe+Ramos,+Gomes+de+Oliveira,+de+Sousa+Barreto.pdf 1 84AD6C0F16E7E0BEB9244939B06D58AE 5449c7342885327f3baa277ed77569277884a366863f0e37d3b1a5121362157b f0ff08a8-d3a5-11f1-aea2-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=252063 http://journals.uni-lj.si/as/article/view/23360 0 ed7e46f2-d3a5-11f1-aea2-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=252062 Filozofska fakulteta Asian studies 0 0 0