20.500.12556/RUL-190036 Neodvisni umetniški prostori med vsakdanom in umetnostjo: primeri iz Gambije, Tanzanije in Kenije magistrsko delo Independent art spaces between everyday life and art: case studies from The Gambia, Tanzania and Kenya Magistrsko delo obravnava neodvisne umetniške prostore v Banjulu, Dar es Salaamu in Nairobiju kot procesualne in relacijske oblike kulturne infrastrukture, ki nastajajo v prepletu umetnosti, vsakdanjega življenja in urbanih razmerij. Teoretski okvir povezuje Lefebvrovo teorijo produkcije prostora, dekolonialne poglede Ngũgĩja wa Thiong’a in raziskavo Kim Gurney, empirični del pa temelji na participativnem akcijskem raziskovanju, osemnajstih intervjujih ter produkcijskem delu v Gambiji, Tanzaniji in Keniji. Analiza pokaže, da ti prostori niso zgolj odziv na pomanjkanje formalne kulturne infrastrukture, ampak avtonomne, hibridne in samoorganizirane prakse, ki omogočajo ustvarjanje, učenje, povezovanje in preoblikovanje družbenih odnosov. V zaključnem delu je platforma Kijana predstavljena kot praktični primer preverjanja načel horizontalnosti, druge priložnosti, performativnosti, elastičnosti in konvergence. Raziskava obenem izpostavlja transformativni potencial teh načel in njihove omejitve. This master’s thesis examines independent art spaces in Banjul, Dar es Salaam and Nairobi as process-based and relational forms of cultural infrastructure emerging at the intersection of art, everyday life and urban relations. The theoretical framework brings together Lefebvre’s theory of the production of space, Ngũgĩ wa Thiong’o’s decolonial perspectives and Kim Gurney’s research. The empirical part is based on participatory action research, eighteen interviews and production work conducted in The Gambia, Tanzania and Kenya. The analysis demonstrates that these spaces are not merely responses to the lack of formal cultural infrastructure, but autonomous, hybrid and self-organised practices that enable creation, learning, connection and the transformation of social relations. In the final section, the Kijana platform is presented as a practical case through which the principles of horizontality, second chances, performativity, elasticity and convergence are examined. The research also highlights both the transformative potential of these principles and their limitations. neodvisni umetniški prostori afriška mesta vsakdanje življenje participativno akcijsko raziskovanje dekolonialne kuratorske prakse independent art spaces African cities everyday life participatory action research decolonial curatorial practices true true false L. Skorohod Slovenski jezik Angleški jezik Magistrsko delo/naloga 2026-10-21 07:30:05 2026-10-21 07:30:12 2026-11-10 14:03:34 0000-00-00 00:00:00 2026 0 Ljubljana 0 Ljubljana 1 spletni vir (1 datoteka PDF (80 str.)) 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 316.728:7(6)(043.2) 215336 304698115 32034.pdf 32034.pdf 1 8F3CFF76005135CF6579C9063F3D6772 b8b0aff747ac46bc8d250d0674c7dd3956a480643f5a9ca736050803be554a9e 4eac5738-cd10-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=251025 Fakulteta za družbene vede 0 0 0