20.500.12556/RUL-188928 Mladostniški filmi na področju nekdanje Jugoslavije / Soseska 23 Coming-of-Age Cinema in the Post-Yugoslav Space / Neighbourhood 23 Magistrsko delo raziskuje odraščanje, identiteto in pripadnost v postjugoslovanskem mladostniškem filmu. Mladost obravnava kot obdobje, v katerem se iskanje identitete prepleta z družbenimi, kulturnimi in zgodovinskimi okoliščinami. V prostoru nekdanje Jugoslavije ga zaznamujejo posledice razpada skupne države, tranzicija, spreminjanje družbenih vrednot in pritiski poznega kapitalizma. Teoretski del se opira na razmišljanja Edgarja Morina, Rolanda Barthesa, Christopherja Lascha, Guya Deborda, Slavoja Žižka in Gillesa Deleuza. Analiza izbranih filmov sledi premiku od neposrednejših podob vojne, družbenega razpada in tranzicije k intimnejšim vprašanjem pripadnosti, seksualnosti, telesa in vsakdanjega življenja. Identiteta se pri tem kaže kot odprt in odnosni proces, ki nastaja med posameznikom in svetom. Praktični del predstavlja kratki igrani film Soseska 23, ki skozi zgodbo protagonistke Jagode raziskuje negotovost, odhod iz partnerskega odnosa ter iskanje bližine in samostojnosti. Skozi telo, prostor, tišino in gibanje film obravnava spremembo kot proces brez vnaprej določenega cilja ter identiteto kot nenehno postajanje. This master’s thesis explores growing up, identity, and belonging in post-Yugoslav coming-of-age cinema. It approaches youth as a period in which the search for identity intersects with social, cultural, and historical circumstances. In the former Yugoslav region, this experience is shaped by the consequences of the dissolution of the shared state, post-socialist transition, changing social values, and the pressures of late capitalism. The theoretical part draws on the work of Edgar Morin, Roland Barthes, Christopher Lasch, Guy Debord, Slavoj Žižek, and Gilles Deleuze. The analysis of selected films traces a shift from more direct representations of war, social disintegration, and transition towards more intimate questions of belonging, sexuality, the body, and everyday life. Identity emerges as an open and relational process formed between the individual and the world they inhabit. The practical part presents the short fiction film Neighbourhood 23, which follows its protagonist Jagoda through uncertainty, the end of a relationship, and the search for intimacy and independence. Through the body, space, silence, and movement, the film explores change as a process without a predetermined destination and identity as a continuous process of becoming. slikarstvo mladostniški film postjugoslovanski film identiteta pripadnost telo filmski jezik magistrska naloga painting coming-of-age film post-Yugoslav cinema identity belonging body cinematic language MA thesis true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2026-09-30 09:00:56 2026-09-30 09:01:00 2026-10-02 03:41:13 0000-00-00 00:00:00 2026 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 40504 14305.pdf 14305.pdf 1 CFE0F8E60FF5E4C3D6B9D84478A15630 0a8619a1cc6a3104ea7ab46ad2e5ce59167618d334f5eec26fc5923317bd5b8c 9a051e7e-bc9c-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=249317 Akademija za likovno umetnost in oblikovanje 0 0 0