20.500.12556/RUL-188729 Liminalnost v animaciji Liminality in animation Magistrska naloga obravnava liminalnost v animaciji s poudarkom na stop-motion tehniki, materialnosti in procesu oživljanja neživih objektov. V teoretskem delu raziskuje animacijo kot medij, ki deluje v prostoru med statično podobo in zaznanim gibanjem, med živim in neživim ter med materialnim in imaginarnim. Liminalnost je predstavljena kot stanje prehoda, nestabilnosti in transformacije, ki se v animaciji ne vzpostavlja le na ravni vsebine, temveč tudi skozi sam postopek animiranja. V praktičnem delu naloga obravnava nastanek stop-motion animacije, v kateri osrednji lik oblikuje glino, dokler material postopoma ne preseže njegovega nadzora, zapolni prostor in ga absorbira. Skozi transformacijo materiala, prostora in lika animacija raziskuje razmerje med ustvarjanjem in razpadom, nadzorom in izgubo nadzora ter subjektom in objektom. Naloga tako pokaže, da lahko animacija liminalnosti ne le prikazuje, temveč jo skozi svojo tehniko, materialnost in ustvarjalni proces tudi aktivno vzpostavlja. The master’s thesis examines liminality in animation, with an emphasis on stop motion technique, materiality, and the process of bringing inanimate objects to life. The theoretical part explores animation as a medium that operates in the space between the static image and perceived movement, between the animate and the inanimate, and between the material and the imaginary. Liminality is presented as a state of transition, instability, and transformation, which in animation is established not only on the level of content, but also through the process of animation itself. The practical part of the thesis discusses the creation of a stop motion animation in which the central character shapes clay until the material gradually exceeds their control, fills the space, and absorbs them. Through the transformation of material, space, and character, the animation explores the relationship between creation and decay, control and the loss of control, and subject and object. The thesis therefore demonstrates that animation can not only represent liminality, but can also actively establish it through its technique, materiality, and creative process. vizualne komunikacije animacija snemalna tehnika stop-motion animacija z lutkami liminalnost magistrska naloga isual communication animation stop motion animation puppet animation liminality MA thesis true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2026-09-26 09:00:41 2026-09-26 09:00:46 2026-09-27 04:19:15 0000-00-00 00:00:00 2026 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 40376 13645.pdf 13645.pdf 1 6E321DC9B3019F8FA2A0094C7F574259 46dc66aa2b34d9f1fadf3748bd7c582dcd4b1754d57eceb6c3d024ae50eb3366 eb3295d2-b977-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=249054 Akademija za likovno umetnost in oblikovanje 0 0 0