20.500.12556/RUL-188726 »Materia« – kratki animirani dokumentarni film "Materia" – a short animated documentary film Magistrska naloga skozi preplet teoretske analize in praktičnega dela – kratkega participatornega dokumentarnega animiranega filma z naslovom Materia – raziskuje kompleksnost telesnih izkušenj žensk. Teoretski del je sestavljen iz kritične obravnave dualistične miselnosti in z vidika feministične teorije analizira, kako so hierarhične delitve skozi zgodovino razvrednotile telo ter iz telesnosti žensk ustvarile projekcijsko polje družbenih strahov, želja in nadzora. V nadaljevanju se usmerja k feminističnim teorijam, ki pojmovanje telesa preoblikujejo iz pasivne materije v živ, nenehno spreminjajoč se materialno-družbeni proces, pri čemer sta kot ključni analitični izhodišči uporabljena koncepta intersekcionalnosti in samoumestitve. Praktični del obravnava proces ustvarjanja kratkega participatornega dokumentarnega filma Materia. Projekt temelji na intimnih zvočnih pričevanjih sedmih sogovornic, ki delijo svoje izkušnje telesnosti. Filmski jezik je oblikovan skozi preplet zvočno obdelanih pričevanj sogovornic, zvočnih krajin, videoposnetkov telesa v gibu in animiranega materiala posnetega s stop-motion snemalno tehniko. Film izhaja iz omejenega in družbeno umeščenega vzorca sogovornic ter se oblikuje skozi proces soustvarjanja med glasovi, materiali, gibom, zvokom, animacijo, montažo in avtoričino pozicijo. Delo z združevanjem teorije in umetniške prakse ne ponuja enoznačnih odgovorov, temveč odpira prostor za mišljenje telesnosti kot pluralne in nikoli dokončno ulovljive izkušnje. Through the interweaving of theoretical analysis and practical work — a short participatory animated documentary film entitled Materia — this master’s thesis explores the complexity of women’s bodily experiences. The theoretical part consists of a critical examination of dualistic thinking and, from the perspective of feminist theory, analyses how hierarchical divisions have historically devalued the body and turned women’s corporeality into a projection field of social fears, desires, and control. It then turns to feminist theories that reformulate the understanding of the body, from passive matter into a living, constantly changing material-social process. In this context, the concepts of intersectionality and self-situatedness are used as key analytical starting points. The practical part discusses the process of creating the short participatory documentary film Materia. The project is based on intimate audio testimonies of seven interlocutors who share their experiences of corporeality. The film language is shaped through the interweaving of sonically processed testimonies, soundscapes, video recordings of bodies in motion, and animated material recorded using the stop-motion filming technique. The film is based on a limited and socially situated sample of interlocutors and is shaped through a process of co-creation between voices, materials, movement, sound, animation, editing, and the author’s position. By combining theory and artistic practice, the thesis does not offer unequivocal answers but opens up a space for thinking about corporeality as a plural and never fully graspable experience. vizualne komunikacije animacija participatorni dokumentarni film dualistična miselnost feministična teorija telesnost magistrska naloga visual communication animation participatory documentary film dualistic thinking feminist theory corporeality MA thesis true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2026-09-26 09:00:33 2026-09-26 09:00:36 2026-09-27 04:19:14 0000-00-00 00:00:00 2026 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 40375 13310.pdf 13310.pdf 1 1B5CC4EA06032779E8CBD4376B61A429 f8c5ddd4c7bf2c2a417c6199118634860b0532ab0fa26decb16310e34dd0ef99 e464dda1-b977-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=249052 Akademija za likovno umetnost in oblikovanje 0 0 0