20.500.12556/RUL-188654 Twin Peaks: Vrnitev kot kritika nostalgije magistrsko delo Twin Peaks: The Return as a critique of nostalgia Magistrsko delo raziskuje kritično-refleksivni odnos do nostalgije v seriji Twin Peaks: Vrnitev. Osredotoča se na vprašanje kako se Vrnitev, kot primer revival televizijske serije sooča z lastnim kanonom, pričakovanji gledalcev, ter sodobnim produkcijskim kontekstom, ki preferira manj kompleksnejše, zagotovo bolj prijetno nostalgične revivale že uveljavljenih serij, filmov franšiz ipd. Teoretični del opredeli nostalgijo kot individualni odnos do preteklosti, nato pa jo obravnava kot širši družbeni in kulturni pojav ter kot producijski mehanizem v sodobni filmsko-televizijski industriji. Empirični del vsebuje analizo izbranih formalno-narativnih prijemov, s katerimi Vrnitev svoj kritičen odnos do nostalgije artikulira znotraj svojega besedila. Posebna pozornost je namenjena tako imenovanem “fan-service” konceptu, ter vprašanju kako serija ta koncept subvertira, s čimer prevprašuje odnos gledalcev do izvirne serije. Del poglavja vključuje tudi podrobnejšo analizo protagonista serije, pri čemer so uporabljene tudi literarne vzporednice, z namenom, da se serijo umesti v širši kontekst evropske literarne zgodovine. Delo ugotavlja, da Twin Peaks: Vrnitev ni anti-nostalgični revival, ne zato ker nostalgijo zavrača v celoti, temveč zato ker jo uporabi kot izhodišče za kritično refleksijo o nostalgiji ter samem aktu vračanja v preteklost. Zaradi tega, se serija izkaže ne le kot edinstven umetniški dosežek, temveč tudi kot redek primer tega, kako lahko televizijski revival kritično obravnava prav tisti kulturni in produkcijski sistem, ki je njegovo vrnitev omogočil. This master’s thesis examines the critical approach to nostalgia in Twin Peaks: The Return. It focuses on how the series, as an example of a television revival, engages with its own canon, audience expectations, and the contemporary production context, which increasingly favours less complex and more comfortable nostalgic revivals of established television series, films, and franchises. The theoretical section traces the understanding of nostalgia from its initial understanding as an individual’s sentiment towards one’s past, before considering it as a broader social and cultural phenomenon and as a significant production strategy within contemporary film and television culture. The empirical section contains an analysis of selected stylistic and narrative devices through which The Return articulates its critical stance towards nostalgia. Particular attention is paid to “fan-service” and how the series subverts the predominant understanding of it, thereby reevaluating the audience’s relationship with the original series. Additionally, a significant part of the chapter is devoted to a character analysis of the series’ protagonist. This section also includes literary parallels, with the aim to contextualise the series within the broader context of European literary history. The thesis concludes that The Return is not anti-nostalgia as much as it’s pro-growth. By using nostalgia as a starting point for critical reflection on one’s engagement with its past, and the very act of returning to it, the series reveals itself to be not just an unique artistic achievement, but also a rare example of how a television revival can critically interrogate the very cultural and production system that made its own return possible. Twin Peaks: Vrnitev Twin Peaks David Lynch nostalgija nostalgija v filmu in televiziji Twin Peaks: The Return Twin Peaks David Lynch nostalgia nostalgia in film and television television revivals true true false E. Killer Slovenski jezik Angleški jezik Magistrsko delo/naloga 2026-09-25 07:30:16 2026-09-25 07:30:19 2026-09-26 04:31:26 0000-00-00 00:00:00 2026 0 Ljubljana 0 Ljubljana 1 spletni vir (1 datoteka PDF (76 str.)) 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 075.2(043.2) 209677 292546307 31194.pdf 31194.pdf 1 E0AC9319E3885546EA6FE4576DE6F6F4 230b1ada0ac010005ae6133a062d83995809273faadc3652874e34f399771da3 1f0a6a85-b8a2-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=248945 Fakulteta za družbene vede 0 0 0