20.500.12556/RUL-188470 Repeticija kot poskus izhoda / Zgraditi dom iz mesa in kosti Repetition as an attempt to exit / To build a home out of flesh and bone V magistrskem delu obravnavam več avtorskih projektov, nastalih v času študija. Poleg analize posameznega projekta bom skušala izluščiti in definirati tiste rdeče niti, ki so jim skupne kljub tematski in medijski raznovrstnosti. Kot eno glavnih stičišč sem prepoznala repetitivnost, ki navadno izhaja iz poskusov zadostitve sistemu pravil, ki si ga zadam sama in znotraj katerega nato karseda dosledno obratujem. Moja teza je, da se s podreditvijo in na videz naivnim, skoraj mehaničnim sledenjem arbitrarnim pravilom, odpre nova, skoraj performativna dimenzija dela. Vztrajanje pri nesmiselnem početju uporabljam kot orodje, ki izpostavi skrite podstati na videz nedolžnih dejanj, ki se pogosto izkažejo za zaznamovana z rigidnimi družbenimi pričakovanji ali privzgojenimi prepričanji. Vsebinsko se dela vežejo na razmisleke o umeščanju posameznice v različne sfere javnega in zasebnega življenja ter preplet slednjih z umetniško prakso. Zanima me predvsem, kako prej omenjena pričakovanja, bodisi realna ali zgolj projicirana, ter (fiktivna) reprezentacija in širši kulturni okvir sooblikujejo posamezničino delovanje znotraj različnih kontekstov, v katerih se znajde, in kako lahko umetniška praksa prestrukturira te načine delovanja. In my thesis, I examine multiple artistic projects, made as a part of my Masters studies programme in painting. Besides the separate analysis of each work, I will try to extract and define their throughlines, despite both thematic and formal heterogeneity. One of those throughlines is repetition, usually stemming from efforts to fulfill sets of self-imposed rule systems, in which I try to operate as consistently as possible. My thesis is that my subordination and seemingly naive, almost mechanical following of the rules another, almost performative dimension of the work, opens up. Insistence on absurdist actions is used as a tool to expose the hidden foundations of seemingly innocent behaviours, that often turn out to be shaped by rigid social expectations or imparted beliefs. Thematically the works are concerned with positioning of an individual into different spheres of public as well as private lives and their entertainment with artistic practice. I am interested in the ways in which aforementioned expectations, whether actual or projected outwards, and (fictional) representation within the broader cultural framework co-shape an individual's functioning dependent on various contexts, and how artistic practice can restructure some of these operations. slikarstvo repeticija komično oponašanje sistem narativ performativnost magistrska naloga painting repetition comedic imitation system narrative performativity MA thesis true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2026-09-23 09:01:37 2026-09-23 09:01:43 2026-09-24 04:25:24 0000-00-00 00:00:00 2026 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 40242 13812.pdf 13812.pdf 1 E6E78F3385308A12473DF612C6006C15 72b68474744b2c77375647ac0bcc1e3413ac458bd7996c8666410b0b3beb00c9 97477111-b71c-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=248646 Akademija za likovno umetnost in oblikovanje 0 0 0