20.500.12556/RUL-188468 Osebe, ki jih morda poznaš - Arhiviranje kolektivnega spomina People you may know - Archiving Collective Memory V magistrski nalogi sem analizirala lastno umetniško prakso dveh samostojnih razstav iz leta 2024, v katerih sem raziskovala pozabljene internetne arhive diskoteke Africa v Trebnjem, ki je delovala od 1996 do leta 2009. Moja raziskovalna in reinterpretativna praksa, ki se nanašana to diskoteko, obsega grafična in slikarska dela, kiparske elemente ter prostorsko instalacijo, ki dela poveže v koherentno celoto. V okviru magistrske naloge se bom osredotočala na proces združevanja različnih del v enotno instalacijsko postavitev, ki z njihovo medsebojno povezavo ustvarja večplasten pomen umetniškega dela. Raziskovala bom zgodovino slovenskih diskotek ob koncu devetdesetih in začetku dvatisočih let, preučila razloge za njihov zaton ter analizirala zgodnje oblike komunikacije na socialnih omrežjih kot obliko arhiviranja diskotek kot družbenega pojava. Posebej me zanima odnos med slikarsko podobo, ustvarjeno na podlagi referenc s socialnih omrežij in njeno digitalizacijo ter dialog med podobo in tekstovnimi ter grafičnimi elementi digitalnih vsebin, ki so prisotni na slikah in grafikah. Z razčlenjanjem lastnih del in primerjavo z podobnimi umetniškimi praksami se postopoma razkriva, kako se skozi umetniško reinterpretacijo ohranja spomin specifičnega obdobja ter kako digitalni arhivi, najdeni na socialnih omrežjih, vplivajo na naše razumevanje tega obdobja. Magistrsko delo tako obravnava širše vprašanje o arhiviranju spomina in njegovem prehajanju med virtualnim in fizičnim svetom. In my master’s thesis, I examined my artistic practice through two solo exhibitions from 2024, in which I explored forgotten internet archives of the Africa discotheque in Trebnje, which operated from the late 1996 until 2009. My research and reinterpretative practice referring to this nightclub includes graphic works, paintings, sculptural elements, and an installation that connects the works into a coherent whole. In my master’s thesis, I concentrated on the process of merging different works into a unified installation, where their interconnection creates a multi-layered concept. I researched the history of Slovenian nightclubs at the end of the 1990s and the beginning of the 2000s, examined the reasons for their decline, and analysed the early forms of communication on social media as methods of archiving these nightclubs as social phenomena. I was particularly interested in the relationship between a painted image created based on references found on social media and its digitalisation, as well as the dialogue between the image and the digital, numerical, and typographic elements appearing in paintings and graphic prints. By analysing my works and comparing them with similar practices, the thesis gradually reveals how artistic reinterpretation preserves the memory of a specific era and how digital archives on social media influence our understanding of that era. In this way, the master’s thesis addresses wider questions of archiving memory and its transition between the virtual and physical worlds. slikarstvo digitalni arhivi kolektivni spomin diskoteke v Sloveniji nostalgija internetni arhivi socialna omrežja apropriacija sodobna umetnost arhiviranje spomina monotipija instalacija magistrska naloga painting digital archives collective memory discotheques in Slovenia nostalgia internet archives social media appropriation contemporary art archiving memories monotypes installation MA thesis true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2026-09-23 09:01:17 2026-09-23 09:01:27 2026-09-24 04:25:23 0000-00-00 00:00:00 2026 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 40241 13771.pdf 13771.pdf 1 307B9ABA33598825209058A7FF66651B 3804c4d88c1cf2f092a1e49d8fe633b2714aae35f827d88712cede72cb5f4760 87f708fa-b71c-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=248644 Akademija za likovno umetnost in oblikovanje 0 0 0