20.500.12556/RUL-188393 Decline and emergence puppet types from tradition to modern reinterpretations Zaton in vznik The study focuses on the transformation of traditional puppet characters within the cultural space of Central Europe, with particular attention to the Slovenian context. It analyses the ideological, aesthetic and social implications of these changes. Challenging the linear narrative of cultural evolution, the author instead highlights the loss of the carnivalesque principle – marked by grotesqueness, ambivalence and subversion – as a critical cultural shift. Through a comparative lens on the Czech Kašpárek and Slovenian figures such as Gašperček, Jurček and Pavliha, the study reveals how ideological pressures and the absence of historical continuity led to the infantilisation and neutralisation of these characters’ critical potential. The text emphasises that these figures are not merely forms of entertainment but function as cultural archetypes that mediate memory, identity and resistance. Ultimately, the study argues that tradition cannot be replaced by formal construction and that aesthetic domestication is symptomatic of a deeper societal transformation. Razprava analizira transformacijo tradicionalnih lutkovnih likov v srednjeevropskem kulturnem prostoru s poudarkom na slovenskem kontekstu. V ospredje postavlja njihove ideološke, estetske in družbene implikacije ter zavrača linearni model kulturnega razvoja. Namesto tega kot ključen premik identificira razgradnjo karnevalskega načela, zaznamovanega z grotesknostjo, ambivalentnostjo in subverzivnostjo. S primerjalno analizo češkega Kašpárka in slovenskih likov (Gašperček, Jurček, Pavliha) pokaže, kako so ideološki pritiski in prekinitev zgodovinske kontinuitete prispevali k infantilizaciji ter nevtralizaciji njihovega kritičnega potenciala. Lutkovni liki so obravnavani kot kulturni arhetipi, ki posredujejo kolektivni spomin, identitetne formacije in oblike odpora. Razprava sklene, da tradicije ni mogoče substituirati s formalnimi konstrukti ter da estetska domestikacija odraža globlje družbene transformacije. Central European puppetry carnivalesque Slovenian puppet types trickster puppet characters subversion and resistance deological domestication cultural memory srednjeevropsko lutkarstvo karnevalskost slovenski lutkovni tipi triksterski liki subverzija in odpor ideološka domestikacija kulturni spomin true false true Angleški jezik Slovenski jezik Članek v reviji 2026-09-22 13:30:27 2026-09-22 13:30:31 2026-09-23 04:08:53 0000-00-00 00:00:00 2026 0 0 Str. 288-305 št. 1 Letn. 14 2026 0000-00-00 Zaloznikova Objavljeno NiDoloceno 0000-00-00 0000-00-00 2026-01-01 792.97(497.4:437.3):316.74 1855-4539 10.51937/Amfiteater-2026-1/288-306 289125891 RAZ_Trefalt_Uros_2026.pdf RAZ_Trefalt_Uros_2026.pdf 1 BFB4B8E6FE9FF14B15F5AC10EDE017E2 ff21f75057a974b0a24870dc877fe13cee89745427137fc26ae2a5683a56d9b4 f50a8a81-b678-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=248537 https://www.slogi.si/publikacije/amfiteater-revija-za-teorijo-scenskih-umetnosti-letnik-14-stevilka-1/ 0 07fdc0ed-b679-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=248538 Akademija za gledališče, radio, film in televizijo Amfiteater 0 0 0