20.500.12556/RUL-188388 Performance as necrowriting necropolitics, resonances and artistic research in the haunted Mediterranean – a Sardinian genealogy Performans kot nekropisava This article reflects on performance artistic research as a critical tool for investigating the contemporary Mediterranean from a situated perspective in Sardinia, understood both as a geographical territory and as an epistemic field in dialogue with the Global South. Through the lenses of necropolitics, neomaterialism, transcorporeality and performance epistemology, the article examines how artistic practices can activate relational, affective and critical forms of knowledge in territories marked by extractivism, ecological violence, militarisation, depopulation and erased histories. Following a genealogical trajectory that begins with Maria Lai’s Legarsi alla montagna, the article analyses CAMPOSUD and Andreco’s Parade for the River Tirso, Valentina Medda’s The Last Lamentation and Nicola Di Croce’s Attuning to / Resonating with (Sulcis). These case studies are read as practices that move beyond site-specificity toward forms of attunement, listening, participation and intra-action with territories, waters, ghosts and more-than-human agencies. The author argues that, in the haunted Mediterranean, performance does not simply represent necropolitical landscapes but produces conditions through which the dead, the silenced, the nonhuman and the contaminated may become perceptible, opening towards what she calls epistemic disarmament. V članku obravnavamo performativno umetniško raziskovanje kot kritično orodje za proučevanje sodobnega Sredozemlja, in sicer z vidika Sardinije; slednjo hkrati razumemo kot geografsko ozemlje in epistemološko polje v dialogu z globalnim jugom. Skozi prizmo nekropolitike, neomaterializma, transkorporealnosti in epistemologije uprizarjanja proučujemo, kako z umetniškimi praksami aktivirati relacijske, afektivne in kritične oblike vednosti na ozemljih, ki nosijo pečat ekstraktivizma, ekološkega nasilja, militarizacije, odseljevanja in izbrisanih zgodovin. Genealoško gledano, se članek začne z delom Legarsi alla montagna (Maria Lai); na tej podlagi analizira dela CAMPOSUD, Parade for the River Tirso (Andreco), The Last Lamentation (Valentina Medda) ter Attuning to / Resonating with (Sulcis) (Nicola Di Croce). Navedene študije primerov beremo kot prakse, ki jih zaznamuje odmik od lokacijske specifičnosti (angl. site specificity – op. prev.) k oblikam uglašenosti (angl. attunement – op. prev.), poslušanja, participacije in intra-akcije z ozemlji, vodami, prikaznimi in več-kot-človeškim. Avtorica trdi, da v Sredozemlju prikazni performans ne reprezentira le nekropolitičnih pokrajin, temveč ustvarja pogoje, v katerih lahko tisti, ki so mrtvi, utišani, nečloveški in kontaminirani, sploh postanejo vidni – s čimer se odpira za to, kar sama imenuje epistemološko razoroževanje. performance epistemology Haunted Mediterranean attunement necropolitics Maria Lai transcorporeality necrochoreographies artistic research epistemologija uprizarjanja Sredozemlje prikazni uglašenost nekropolotika Maria Lai transkorporealnost nekrokoreografije umetniško raziskovanje true false true Angleški jezik Slovenski jezik Članek v reviji 2026-09-22 12:04:19 2026-09-22 12:04:25 2026-09-23 04:08:52 0000-00-00 00:00:00 2026 0 0 Str. 130-154 št. 1 Letn. 14 2026 0000-00-00 Zaloznikova Objavljeno NiDoloceno 0000-00-00 0000-00-00 2026-01-01 792.01:793.3:502 1855-4539 10.51937/Amfiteater-2026-1/130-154 288576771 RAZ_Zedda_Maria_Paola_2026.pdf RAZ_Zedda_Maria_Paola_2026.pdf 1 14DE746DFBCE4FFD300C7F18DA4DB9E9 2ab1367f569a35363992a522cbfb878eca6d0b05ad5c7e4b8569e9eddb9f6125 ee5211bc-b66c-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=248526 https://www.slogi.si/publikacije/amfiteater-revija-za-teorijo-scenskih-umetnosti-letnik-14-stevilka-1/ 0 048aa9a7-b66d-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=248527 Akademija za gledališče, radio, film in televizijo Amfiteater 0 0 0