20.500.12556/RUL-188241 Oblikovalec_ka govora kot stalni_a sodelavec_ka pri ustvarjanju slovenskega filma Speech Designer as a Permanent Collaborator in the Creation of Slovenian Film Magistrsko delo z naslovom Oblikovalec_ka govora kot stalni_a sodelavec_ka pri ustvarjanju slovenskega filma obravnava problematiko slovenskega filmskega govora, ki je pogosto prepoznan kot ena izmed šibkejših plati domače filmske produkcije. Slovenska kinematografija se je v svojih začetkih močno opirala na gledališko umetnost, zato raziskava izhaja iz primerjave med položajem oblikovalca govora v sodobnem dramskem gledališču, kjer je njegova vloga že uveljavljena, in strokovnim sodelavcem za govor v slovenski filmski produkciji. Delo tako imenovanega filmskega lektorja se je sprva razvilo iz dela gledališkega lektorja, vendar se način dela ni prilagodil posebnostim filmskega medija, zato se njegovo mesto v filmski ekipi ni ohranilo. Kljub temu so se produkcijski procesi skozi čas spreminjali. V sodobnem slovenskem filmu se ponovno pojavljajo različni strokovnjaki za govor, govorni svetovalci in inštruktorji dialektov, ki sodelujejo v različnih fazah ustvarjalnega procesa. Med pogosto izpostavljenimi možnostmi za izboljšanje filmskega govora se pojavlja predlog, da bi oblikovalec govora postal stalni član filmske ekipe. S pomočjo strokovne in znanstvene literature o oblikovanju govora v gledališču in pri filmu je bil oblikovan začetni model dela oblikovalca govora. Ta je služil kot osnova za nadaljnje raziskovanje v obliki intervjujev z dvema filmskima režiserjema, ki sta se pri svojih filmih podrobno ukvarjala z govorom ter sodelovala z različnimi strokovnjaki s področja jezika in govora. Analiza njunih odgovorov je omogočila združitev teoretičnih ugotovitev z ustvarjalno prakso ter nadgradnjo začetnega modela v razširjen model oblikovanja filmskega govora s pomočjo oblikovalca govora, ki obravnava oblikovanje filmskega govora skozi celoten proces nastajanja filma, pri čemer je ključno delo oblikovalca govora. Model predstavlja osrednji izvirni prispevek magistrskega dela, sistematično opredeljuje možnosti vključevanja oblikovalca govora v proces nastajanja filma. V prihodnje bi lahko služil kot načrt za bolj premišljeno in dosledno obravnavo filmskega govora ter prispeval k bolj kakovostni govorni podobi slovenskih filmov. The master's thesis titled Speech Designer as a Permanent Collaborator in the Creation of Slovenian Film addresses the issue of Slovenian spoken language in films, which is often recognized as one of the weaker aspects of domestic film production. As Slovenian cinema relied heavily on theatre in its early development, the research is based on a comparison between the position of the speech designer in contemporary drama theatre, where the role is already established, and that of a speech professional in Slovenian film production. The profession of the so-called film proofreader initially developed from that of the theatre proofreader, but the working method did not adapt to the specific characteristics of the film medium, and the role was therefore not retained within the film crew. Nevertheless, production processes have changed over time. In contemporary Slovenian film, various speech experts, speech consultants and dialect instructors are once again appearing and participating in different stages of the creative process. One of the frequently proposed solutions for improving spoken language in films is to make the speech designer a permanent member of the film crew. Using relevant scholarly literature on speech formation in theatre and film, an initial model of the work of a speech designer was developed. This model served as the basis for further research in the form of interviews with two film directors who had explored speech in their films in detail and collaborated with various experts in the field of language and speech. The analysis of their answers made it possible to combine theoretical findings with creative practice and to expand the initial model into an extended model of film speech design with the help of a speech designer. The model encompasses the design of film speech throughout the entire process of film creation, with the speech designer playing a key role. The model constitutes the main original contribution of the master's thesis and systematically defines the possibilities for involving the speech designer in the filmmaking process. In the future, it could serve as a framework for a more thoughtful and consistent treatment of spoken language in films and contribute to a higher quality speech presence in Slovenian films. oblikovalec govora gledališki govor filmski govor slovenski celovečerni film pogovorni jezik speech designer spoken language in films spoken language in theatre Slovenian feature film colloquial language true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2026-09-19 09:00:14 2026-09-19 09:00:35 2026-09-20 04:29:25 0000-00-00 00:00:00 2026 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 14339 1806.pdf 1806.pdf 1 54BBA56C113C4215DA7EA2B6795B861A e3541aa151dbb6ed770809c6df9018a90a1ef135a613a62bc74cde409af004b8 c8262813-b3f7-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=248268 Akademija za gledališče, radio, film in televizijo 0 0 0