Watakushi shōsetsu kot pisateljeva izpoved Watakushi shōsetsu as the writer’s confession Pisatelji že dolgo pišejo avtobiografska dela. V japonski književnosti se od avtobiografskega romana loči še podoben žanr z imenom watakushi shōsetsu. Razvil se je v obdobju Meiji pod vplivi japonske literarne tradicije ter zahodnega realizma in naturalizma. Pogosto se bere kot pisateljeva izpoved, kot pristen zapis njegovega doživljanja nekega dogodka. Cilj diplomskega dela je predstaviti zgodovinski razvoj in značilnosti žanra watakushi shōsetsu, ga primerjati z avtobiografskim romanom ter značilnosti predstaviti na primeru dela Dōke no hana pisatelja Dazaija Osamuja. Diplomsko delo se sprva osredotoča na zgodovinski pregled, začenši z vplivi obdobja Heian. Izpostavljeni so tudi vplivnejši ustvarjalci obdobja Meiji ter razvoj žanra znotraj japonskega naturalizma. Temu sledita predstavitev glavnih značilnosti ter primerjava z zahodnim avtobiografskim romanom. Najprej je povzeta Dazaijeva biografija, čemur sledita predstavitev dela Dōke no hana ter analiza dela na podlagi značilnosti žanra. Watakushi shōsetsu vsebino črpa iz avtorjevega resničnega življenja. Za žanr so bistveni nejasen lik, po katerem se pisatelj izraža, bralčevo dojemanje dela kot pisateljeve iskrene izpovedi ter pisateljeva predpostavka o bralčevem predznanju o njegovem življenju. Od avtobiografskega romana se razlikuje predvsem pri zajetem času ter lastnostih glavnega junaka. Watakushi shōsetsu navadno obsega le en dogodek, glavni junak pa je zelo podoben pisatelju. Avtobiografski roman obsega daljše časovno obdobje, čustva in misli glavnega junaka pa se navadno razlikujejo od pisateljevih. Watakushi shōsetsu se bere in piše še danes, tudi v novih oblikah. Writers have been writing autobiographical works for a long time. In Japanese literature, there is a similar genre named watakushi shōsetsu that differs from the autobiographical novel. It developed in the Meiji period under the influence of the Japanese literary tradition and western realism and naturalism. It’s often read as the writer’s confession, as an authentic record of his experience of an event. The goals of this paper are to present the historical development and characteristics of watakushi shōsetsu, compare it with the autobiographical novel and present the characteristics on the example of Dazai Osamu’s work Dōke no hana. This paper first focuses on the historical overview, starting with influences of the Heian period. The influential figures of the Meiji period and the development of the genre inside Japanese naturalism are also highlighted. This is followed by a presentation of the main characteristics and a comparison with the western autobiographical novel. After a summary of Dazai’s biography, his work Dōke no hana is analysed based on the genre characteristics. Watakushi shōsetsu draws its content from the author’s real life. Crucial for the genre are the vague character through which the writer expresses himself, the reader’s perception of the work as the writer’s sincere confession, and the writer’s assumption of the reader’s prior knowledge about his life. Watakushi shōsetsu differs from the autobiographical novel primarily in the described time and characteristics of the main character. Watakushi shōsetsu usually describes only one event, and the main character is very similar to the writer. The autobiographical novel describes a longer period, and the feelings and thoughts of the main character usually differ from the writer. Watakushi shōsetsu is still being read and written today, even in new forms. japonska književnost avtobiografski roman watakushi shōsetsu izpoved Dazai Osamu japanese literature autobiographical novel I-novel confession Dazai Osamu true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2026-09-19 07:18:53 2026-09-19 07:18:57 2026-09-19 07:18:57 0000-00-00 00:00:00 2026 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 1970-01-01 630715 70631.pdf 70631.pdf 1 8f32a5ee-b3e9-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=248189 Filozofska fakulteta 0 0 0