20.500.12556/RUL-188145 Pripovedovalec, mladostništvo in izguba nedolžnosti v romanu in filmu Deviški samomori The narrator, adolescence and the loss of innocence in the novel and film The Virgin Suicides Diplomska naloga obravnava roman Deviški samomori Jeffreyja Eugenidesa in filmsko adaptacijo Sofie Coppola z vidika pripovedovalca in pripovedne perspektive. Osrednji cilj naloge je primerjati kolektivni prvoosebni glas v romanu z naracijo v filmu ter raziskati, kako se ta transformacija odraža v interpretaciji tem mladostništva, odraščanja in izgube nedolžnosti. Analiza se opira na naratološke pristope Mieke Bal in Shlomith Rimmon-Kenan ter na teorijo naracije in adaptacije Linde Hutcheon. V romanu pripovedovalec v imenu kolektivnega »mi« vzpostavlja retrospektivno, fragmentarno in nezanesljivo perspektivo, ki prispeva k mitizaciji sester Lisbon in poudarja njihovo nedosegljivost. Filmska adaptacija to pripovedno strukturo preoblikuje v vizualno in zvočno naracijo, ki s pomočjo kamere, montaže in glasbe ustvarja bolj neposreden in intimen vpogled v izkušnjo deklet. Primerjalna analiza pokaže, da sprememba pripovedovalca vpliva na reprezentacijo ženskosti, adolescence in družbenih pritiskov. Naloga tako izpostavlja ključno vlogo pripovedne perspektive pri oblikovanju pomena v literarnem in filmskem mediju. This thesis examines the novel The Virgin Suicides by Jeffrey Eugenides and its film adaptation directed by Sofia Coppola from the perspective of narration and narrative voice. The main objective is to compare the collective first-person narrator of the novel with the narration of the film and to explore how this transformation affects the representation of themes such as adolescence, coming of age, and the loss of innocence. The analysis draws on narratological theories of Mieke Bal and Shlomith Rimmon-Kenan as well as on theories of film narration and adaptation of Linda Hutcheon. In the novel, the collective narrator constructs a retrospective, fragmented, and partly unreliable perspective that contributes to the mythologization of the Lisbon sisters and emphasises their inaccessibility. In contrast, the film reconfigures this narrative structure through visual and auditory means, using cinematography, editing and music to create a more immediate and intimate portrayal of the girls’ experience. The comparative analysis demonstrates that the transformation of the narrator influences the representation of femininity, adolescence, and social constraints. The thesis thus highlights the crucial role of narrative perspective in shaping meaning across literary and film media. literatura in film Jeffrey Eugenides: Deviški samomori filmske priredbe Sofia Coppola naratologija pripovedna struktura literature and film Jeffrey Eugenides: The Virgin Suicides film adaptations Sofia Coppola narratology narrative structure true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2026-09-19 07:17:17 2026-09-19 07:17:26 2026-10-12 09:27:10 0000-00-00 00:00:00 2026 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 630704 294648067 71353.pdf 71353.pdf 1 1C6A1DFF9459687B2281DEEB68333159 af47522882e0888b1ee955a55fe510db18e436180a042bb09b25ba4ff0b4a856 59413cfa-b3e9-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=248171 Filozofska fakulteta 0 0 0