20.500.12556/RUL-187726 Podobe narave v glasbi: Richard Strauss: Alpska simfonija Representations of Nature in Music: Richard Strauss: An Alpine Symphony Magistrska naloga obravnava upodabljanje narave v instrumentalni glasbi. V teoretičnem delu predstavlja vprašanja glasbenega pomena, glasbene semantike in estetike narave ter obravnava načine, s katerimi glasba vzpostavlja povezave z zunajglasbenimi vsebinami. Skozi zgodovinski pregled razvoja glasbenega upodabljanja narave od renesanse do začetka 20. stoletja naloga prikazuje različne načine, s katerimi so skladatelji v instrumentalni glasbi predstavljali naravne pojave in pokrajine. Osrednji del naloge predstavlja analiza Alpske simfonije Richarda Straussa, ki se osredotoča na programsko zasnovo dela, motivični razvoj in načine glasbenega upodabljanja narave. Analiza pokaže, da Strauss oblikuje sistem vodilnih motivov, ki povezujejo posamezne programske odseke v enotno glasbeno celoto. Narava je predstavljena tako s postopki tonskega slikanja kot tudi z uporabo harmonije, orkestracije in motivičnih transformacij. Delo se tako izkaže kot eden najizrazitejših primerov programskega upodabljanja narave v poznoromantični orkestrski glasbi. This master’s thesis examines the representation of nature in instrumental music. The theoretical section addresses questions of musical meaning, musical semantics, and the aesthetics of nature, and explores the ways in which music establishes connections with extramusical content. Through a historical survey of the development of musical representations of nature from the Renaissance to the early twentieth century, the thesis presents various approaches composers used to depict natural phenomena and landscapes in instrumental music. The central part of the thesis is an analysis of Richard Strauss’s An Alpine Symphony, focusing on the work’s programmatic design, motivic development, and methods of musical representation of nature. The analysis demonstrates that Strauss constructs a coherent system of leitmotifs that connects individual programmatic sections into a unified musical whole. Nature is represented both through tone painting and through the use of harmony, orchestration, and motivic transformations. The work thus emerges as one of the most distinctive examples of programmatic representations of nature in late-Romantic orchestral music. glasbeni pomen narava Richard Strauss Alpska simfonija motivi musical meaning nature Richard Strauss An Alpine Symphony motifs true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2026-09-13 07:49:54 2026-09-13 07:49:55 2026-09-16 03:34:36 0000-00-00 00:00:00 2026 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 628911 70502.pdf 70502.pdf 1 6A3EAC8976196A8FB2E27ED191FF81CC d3519ef934e8d5b305363371566d2997ad9bbbd4527d652b548194400c9fd64d eac51d01-af36-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=247431 Filozofska fakulteta 0 0 0