20.500.12556/RUL-187694 Primerjava gradnje nacionalne identitete skozi turbofolk in narodnozabavno glasbo v Sloveniji nekoč in danes Comparison of the construction of national identity through turbofolk and folk music in Slovenia’s past and present Dve glasbeni zvrsti, slovensko narodnozabavno glasbo in turbofolk, primerjalno obravnavamo pri njuni vlogi konstrukcije nacionalne identitete slovenstva. Pri tem nam je pomembna časovna razsežnost delovanja vse od njunega nastanka v drugi polovici 20. stoletja do njune sodobne recepcije. Izhodiščna teza je, da obe zvrsti na različna načina soustvarjata kulturne dimenzije nacionalne identitete, vendar nista njen temeljni steber, temveč sta zgolj elementa, ki v določenih zgodovinskih trenutkih pridobita simbolno težo. Teoretski okvir temelji na konceptih nacionalizma avtorjev, kakršni so Smith, Anderson, Gellner in Hobsbawm, ter na konceptu ideologije v glasbi, kot jo dojema Adorno in razlaga Pompe. Metodološki del temelji na kvalitativni primerjalni analizi obeh glasbenih zvrsti z vidika njunega zgodovinskega, družbenega in političnega konteksta ter njunega sprejemanja nekoč in danes. Narodnozabavna glasba se tako vzpostavlja kot nacionalna skozi proces retradicionalizacije, to je navezovanja na lastno tradicijo, simbole in mitologijo, pri čemer poudarja distanco Slovenije od balkanskega prostora. Turbofolk pa je svojo nacionalno konotacijo pridobil od zunaj, skozi medijsko konstrukcijo in povezavo s politično oblastjo v devetdesetih letih. Obe zvrsti sta bili v določenih zgodovinskih trenutkih politično instrumentalizirani, čeprav v svoji vsebini ostajata primarno kulturni in zabavni fenomen. Danes se odnos do njiju spreminja: narodnozabavna glasba ohranja status simbolnega varuha slovenske tradicije, medtem ko postaja turbofolk eksotični užitek mlajših generacij. Naše ključno spoznanje je, da glasba ni temelj ali steber nacionalne identitete, temveč je zgolj eden od elementov, ki sooblikuje njeno kulturno dimenzijo, bodisi skozi utrjevanje stereotipov bodisi skozi rekontekstualizacijo tujih vplivov. This study offers a comparative examination of two music genres, Slovenian folk-pop and turbo-folk, focusing on their role in constructing Slovenian national identity. Special emphasis is placed on the timeframe of their influence, from their emergence in the second half of the 20th century to their modern reception. The central thesis is that both genres shape the cultural dimensions of national identity in distinct ways. However, neither serves as its foundational pillar; rather, they are elements that acquire symbolic weight in specific historical moments. The theoretical framework is based on the concepts of nationalism developed by authors such as Smith, Anderson, Gellner and Hobsbawm, as well as the concept of ideology in music as conceived by Adorno and interpreted by Pompe. The methodological work is based on a qualitative comparative analysis of both musical genres from the viewpoint of their historical, social and political context, as well as their reception in the past and present. slovenian folk pop establishes itself as a national genre via the process of re-traditionalization, drawing on local tradition, symbols and mythology, while emphasising Slovenia’s separation from the Balkan region. In contrast, turbo-folk gained its national connotation from the “outside”, through media constructions and its connection to the political establishment in the 1990s. Both genres were politically instrumentalised in certain periods, even though they primarily remain cultural and entertainment phenomena in their content. Today, perception of both genres is shifting: slovenian folk pop music maintains its status as a symbolic guardian of the Slovenian tradition, while turbo-folk is turning into an exotic pleasure of younger generations. Our key findings are that music cannot serve as the foundation or pillar of national identity, but is merely one of the elements that help shape its cultural dimension, either by reinforcing stereotypes or by recontextualising foreign influences. glasba nacionalna identiteta narodnozabavna glasba turbofolk Slovenija music national identity slovenian folk-pop turbo-folk Slovenia true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2026-09-13 07:45:20 2026-09-13 07:45:28 2026-09-15 03:50:42 0000-00-00 00:00:00 2026 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 628879 71579.pdf 71579.pdf 1 D08F8A145C9CDB700481CDBAF28E9F6E 39a38b1eec2908c285607ad4fc81c66d67d0388a3565619328b950bea7497f7a 4b88eab3-af36-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=247398 Filozofska fakulteta 0 0 0