20.500.12556/RUL-187693 Čustven izraz in besedilnofonetični parametri igralcev v drami W. Shakespeara, Kralj Lear The expression of emotions and phonetic parameters in W. Shakespeare, King Lear Gledališče je prostor, kjer se s pomočjo besedilnofonetičnih parametrov, mimike, gestike, proksemike in seveda igralcev, ustvarja umetnost. V svojem diplomskem delu se osredotočam na odrski govor igralcev v drami W. Shakespeara: Kralj Lear. Analiziram ga s pomočjo prozodičnih sredstev (premori, hitrost, glasnost, intonacija, register in barva glasu). Analiza, ki se je poslužujem, je slušnozaznavna analiza na eni strani ter analiza s programom Praat na drugi. Poleg govora svoje raziskovanje razširim tudi v čustven izraz igralcev. Pri mimiki in gestiki se osredotočam predvsem na vplive, ki jih imata na govor vsakega posameznika. Mimiko in gestiko opazujem na video posnetku dramske uprizoritve iz leta 1963 (rež. Korun Mile). Za raziskovanje si vzamem pet dejanj. V vsakem dejanju po eden prizor, ki je najbolj relevanten za potek zgodbe in vsebuje najpogostejše dramske osebe. Na koncu si želim čisto sliko govornega ter čustvenega razvoja izbranih dramskih oseb. In theatre art is created through textual and phonetic parameters, facial expressions, gestures, proxemics and, of course, actors. In my thesis I focus on the actors’ stage speech in W. Shakespeare’s play King Lear. I analyse the stage speech using prosodic means (pauses, speed, loudness, intonation, register and colour of the voice). The analysis I use is twofold: there is the auditory perceptual analysis and the analysis with the program Praat. In addition to speech, I also research into the emotional expression of the actors. When it comes to facial expression and gesture, I focus mainly on the effects they have on the individual’s speech. I observe these two elements in a video recording of a play from 1963 (dir. Korun Mile) and then I choose five acts to analyse. In each act I select one scene that is the most relevant to the course of the story and contains recurring dramatic characters. In the end, I want a better understanding of the speech and emotional development of the selected dramatic characters. mimika gestika prozodična sredstva Praat facial expression gesture prosodic means Praat true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2026-09-13 07:45:10 2026-09-13 07:45:14 2026-09-15 03:50:28 0000-00-00 00:00:00 2026 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 628878 24655.pdf 24655.pdf 1 81417DF6B463BE8A9FC2512908F66D1F 69449e2fafa2199f3e8ef8bc8b68a1943df26e34452e72c404225bed1fa25e63 4354cc24-af36-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=247397 Filozofska fakulteta 0 0 0