20.500.12556/RUL-187691 Razvoj in integracija somatskega zavedanja gibov pri violinski igri Development and Integration of Somatic Movement Awareness in Violin Playing Magistrska naloga obravnava razvoj somatskega zavedanja kot temelja svobodnega, funkcionalnega in umetniško odprtega igranja violine. Izhaja iz vprašanja, kako se lahko notranja zaznava telesa, psihofizično stanje in kakovost gibanja povežejo z violinsko tehniko, ne da bi tehnika postala zgolj skupek zunanjih pravil. Violinsko igranje je razumljeno kot celosten proces, v katerem se glasbena misel, telesna organizacija, dih, ravnotežje in odnos do instrumenta neprestano oblikujejo. V teoretičnem delu so predstavljena izhodišča somatske teorije, predvsem razumevanje telesa kot subjekta izkustva in ne le kot objekta zunanjega nadzora. Posebna pozornost je namenjena telesni shemi, notranjemu zaznavanju in samouravnavanju, saj ti pojmi omogočajo razumevanje tehnike kot živega, prilagodljivega sistema. Naloga nato obravnava vlogo športnih in gibalnih izkušenj pri razvoju telesne zavesti. Šport je predstavljen kot prostor, v katerem glasbenik razvija občutek za obremenitev, stabilnost, koordinacijo, vzdržljivost in zaupanje telesu. V nadaljevanju so obravnavane podporne metode ozaveščanja: Alexander tehnika, Feldenkraisova metoda, Body Mapping, Somatic Experiencing ter qigong, joga in tai chi. Čeprav se pristopi razlikujejo po izvoru in načinu dela, jih povezuje usmerjenost v zaznavanje, sprotno prilagajanje in postopno preoblikovanje gibalnih vzorcev. V osrednjem delu naloga ta spoznanja prenese v konkretno violinsko prakso. Ob Hoppenotini filozofiji, Dounisovih vajah ter osebni refleksiji se pokaže, da funkcionalnost gibov ni nasprotje umetniške izraznosti, temveč njen pogoj. Naloga sklene, da razvoj violinske tehnike in razvoj samozavedanja nista ločena procesa, temveč se vzajemno pogojujeta, saj šele telo, ki ga violinist med igranjem zna poslušati in ne le uporabljati, omogoči, da se glasbena misel brez izgube prelije v zvok. This master’s thesis examines the development of somatic awareness as a foundation for free, functional, and artistically open violin playing. It is based on the question of how internal bodily perception, the holistic state, and the quality of movement can be connected with violin technique without reducing technique to a mere set of external rules. Violin playing is understood as a holistic process in which musical thought, bodily organization, breath, balance, and the relationship with the instrument are continuously shaped. The theoretical part presents the foundations of somatic theory with particular emphasis on the understanding of the body as a subject of experience rather than merely as an object of external control. Special attention is given to the body schema, internal perception, and self-regulation, because these concepts make it possible to understand technique as a living and adaptable system. The thesis then discusses the role of sport and movement experiences in the development of bodily awareness. Sport is presented as a space in which musicians develop a sense of load, stability, coordination, endurance, and trust in the body. The following part examines selected awareness-based methods: the Alexander Technique, the Feldenkrais Method, Body Mapping, Somatic Experiencing, qigong, yoga, and tai chi. Although these approaches differ in origin and method, they are connected by their focus on perception, ongoing adaptation, and the gradual transformation of movement patterns. In its central part, the thesis transfers these insights into concrete violin practice. Through Hoppenot’s philosophy, Dounis’s exercises, and personal reflection, it shows that functional movement is not opposed to artistic expressivity, but is one of its essential conditions. The thesis concludes that the development of violin technique and the development of self-awareness are not separate processes, but mutually dependent ones: only a body that the violinist can listen to and not merely use allows musical thought to flow into sound without loss. somatsko zavedanje psihofizična organizacija telesa funkcionalno gibanje violinska tehnika umetniški izraz somatic awareness holistic organization functional movement of the body violin technique artistic expression true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2026-09-13 07:20:33 2026-09-13 07:20:39 2026-09-15 03:49:49 0000-00-00 00:00:00 2026 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 47057 15290.pdf 15290.pdf 1 73C1DC0E4DD8853EDA5FE69582F7B702 b05bf23a17b46f1dda2c81d7980959a94aab3f2d6887de872750e107c2496539 d4a6e0a6-af32-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=247393 15291.docx 15291.docx 1 A060D990DC648F774BBF8E5ED892F2BD 1fbd04617f7e00ffd3663ebfe041eae63e5a3ab50a93c3f064e1d021097ceee6 d4a77e82-af32-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=247394 15292.docx 15292.docx 1 18EC14E926E01B0C40DAAE2AD9918D1B b5eed633954531f8ab3dabd48db6c869d649849de2ab6bb82844d5365bf7341a d4a9ba0e-af32-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=247395 Akademija za glasbo 0 0 0