20.500.12556/RUL-187651 Fotoknjiga kot prostor zgodbe: Oblikovanje in percepcija The Photobook as a Space for Storytelling: Design and Perception V diplomski nalogi avtorica raziskuje fotoknjigo kot samostojen umetniški medij in vlogo grafičnega oblikovanja pri ustvarjanju njene pripovedi. Izhaja iz vprašanja, kako lahko oblikovanje iz istega nabora fotografij ustvari različne zgodbe. V teoretičnem delu obravnava razvoj fotoknjige, njene pripovedne značilnosti ter pomen sekvence, besedila in materialnosti. Posebno pozornost namenjeni oblikovanju kot pripovedni strategiji, ki vpliva na interpretacijo fotografij in usmerja bralno izkušnjo. Praktični del naloge temelji na fotografskem in oblikovalskem delu. V katalogu Vile100× avtorica analizira vpliv različnih tehnik tiska, papirjev in formatov na percepcijo iste fotografije. Ugotovitve raziskave so predstavljale izhodišče za oblikovanje dveh avtorskih fotoknjig, Dvojna narava vsega in Dvojna narava vsega., ki iz istega nabora fotografij vzpostavljata dve različni pripovedi, ciklično in linearno. Raziskava pokaže, da oblikovanje ni zgolj estetska nadgradnja fotografskega dela, temveč pomemben dejavnik pri oblikovanju njegovega pomena. This Bachelor’s thesis explores the photobook as an independent artistic medium and examines the role of graphic design in shaping its narrative. It is based on the question of how design can construct different stories from the same set of photographs. The theoretical part of the thesis discusses the evolution of the photobook, its narrative features and the significance of sequencing, text and materiality. Particular attention is given to design as a narrative strategy that influences the interpretation of photographs and guides the reading experience. The practical part is based on photography and design research. The catalogue Vile100× (Faries 100×) explores how different printing techniques, paper types and formats affect the perception of a single photograph. Based on these findings, two authorial photobooks, Dvojna narava vsega (The Dual Nature of Everything) and Dvojna narava vsega. (The Dual Nature of Everything.), were created. The two photobooks construct two different narratives, one cyclical and one linear, from the same set of photographs. The research demonstrates that design is not merely an aesthetic addition to a photography project, but a key factor in shaping its meaning. vizualna komunikacija fotoknjiga grafično oblikovanje fotografija pripoved sekvenca materialnost percepcija diplomska naloga visual communication photobook graphic design photography narrative sequencing materiality perception BA thesis true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2026-09-12 09:00:06 2026-09-12 09:00:14 2026-09-15 03:34:12 0000-00-00 00:00:00 2026 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 39601 13534.pdf 13534.pdf 1 D936EB97E96F343822F4BA49607F03EC 3b0f5a6feba4b61304822d2dfd894d0b6a08fffbdac25d469a78c1c19767ec22 9bffd63c-ae77-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=247352 13535.pdf 13535.pdf 1 4D2BD8EF893DF900726AB9D206CDBE95 387effeef9e514942a8a63422b71dcedfb5190ba2ad0621657dc7c59a82b622c 9cfaed76-ae77-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=247353 Akademija za likovno umetnost in oblikovanje 0 0 0