20.500.12556/RUL-187608 Japonski estetski koncept ma v filmu Popolni dnevi diplomsko delo The Japanese Aesthetic Concept of ma (間) in the Film Perfect Days Ma je eden izmed ključnih estetskih konceptov Japonske. V japonščini se ma zapiše s pismenko 間 in nosi različne pomene, kot so: »prostor (med dvema elementoma)«, »interval«, »premor«. Gre za koncept časovne in prostorske razsežnosti, ki poimenuje praznino, kjer se skriva pomen. Cilj te diplomske naloge je analizirati upodobitev japonskega koncepta ma v filmu Popolni dnevi režiserja Wima Wendersa. Za izvedbo naloge je uporabljena empirična kvalitativna analiza, kjer glavni del predstavlja analiza filma. V prvem delu obravnavam prehodne kadre oziroma »pillow shots«, v drugem delu pa se posvečam analizi treh izbranih narativnih kadrov. Tu gre za globlji pristop, kjer s pomočjo multimodalne analize diskurza in nekaterih elementov multimodalne konverzacijske analize preučujem medosebne interakcije in samotne trenutke likov. Analiza je pokazala, da so prehodni kadri, ki evocirajo koncept ma, pomembni za ritmizacijo pripovedi. V narativnih kadrih se je ma pokazal kot ključni element v komunikaciji, saj pomaga ublažiti občutljive pogovore. Na filmski ravni gre za trenutek, ki omogoča nastajanje in razvoj čustvenih stanj likov ter njihovo introspekcijo, hkrati pa usmerja fokus gledalcev na subtilnejše, a pomembne elemente komunikacije. Filmska sredstva, kot so nevtralni rakurz, polbližnji in bližnji plan, uporaba barve in svetlobe ter glasbe, pripomorejo k učinkoviti manifestaciji ma in krepijo gledalsko izkušnjo. Ma is one of the key aesthetic concepts in Japanese culture. In Japanese, it is written with the character 間 and carries various meanings, such as “space (between two elements)”, “interval”, and “pause”. It is a concept encompassing both temporal and spatial dimensions, representing a void with hidden meaning. The aim of this thesis is to analyze the depiction of the Japanese concept of ma in the film Perfect Days by director Wim Wenders. The thesis employs an empirical qualitative approach, centered on the analysis of the film. The first part discusses "pillow shots", while the second focuses on the analysis of three selected narrative shots. This is a deeper approach, where I study interpersonal interactions and intimate moments of characters through multimodal discourse analysis and elements of multimodal conversation analysis. The analysis showed that pillow shots evoking the concept of ma are important for the rhythmization of the narrative. Within narrative shots, ma proved to be a key element in communication, helping to defuse sensitive conversations. On a cinematic level, it represents a moment that allows for the emergence and development of characters' emotional states and introspection, while also directing the viewer's focus toward more subtle yet important elements of communication. Filmic devices such as eye-level angles, semi-close-ups and close-ups, the use of color and light, and music contribute to the effective manifestation of ma and enhance the viewing experience. film Popolni dnevi Wim Wenders koncept ma japonska estetika film Perfect Days Wim Wenders concept ma japanese aesthetics true false false [L. Cvetković] Slovenski jezik Angleški jezik Diplomsko delo/naloga 2026-09-12 07:15:19 2026-09-12 07:15:33 2026-09-14 08:34:10 0000-00-00 00:00:00 2026 0 Ljubljana 0 Ljubljana 45 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 7(520) 628325 290929411 72708.pdf 72708.pdf 1 BC4D92A92BCA342D89831A2605C7FF1B 69af4ba7700b866995d4e807939cc276bafb67051090ad8725a8915b92f44d3b 02038f11-ae69-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=247301 Filozofska fakulteta 0 0 0