20.500.12556/RUL-187551 Umetniške intervencije in apropriacija popularnih videoiger Artistic interventions and appropriation of popular video games V diplomskem delu govorim o umetniški intervenciji z naslovom Na cesti brez bratstva in enotnosti, ki jo izvedem v videoigri Euro track simulator 2. V teoretičnem delu naloge obravnavam umetniško skupino Total Refusal, ki jo v nadaljevanju primerjam z idejami in deli Situacionistične internacionale. Posebno pozornost namenim Debordovi Družbi spektakla, ter konceptom derive, detournement in psihogeografije , ki mi služijo kot izhodišče za razmislek o potencialu videoiger kot prostora umetniškega raziskovanja in kritične refleksije sodobne družbe. Za tem analiziram, do kje lahko vlečemo vzporednice med deli Total Refusal in situacionisti. Na tej podlagi v nalogi preučujem vlogo mainstream videoiger kot aparata spektakla in se ukvarjam s tem, kako videoigre kot medij dojemamo v primerjavi z mediji, kot je recimo film. Prek tega poskušam priti do zaključka, kakšen prostor prikažejo videoigre in kakšen potencial v njem ponujajo. Praktični del predstavlja zasnovo, izvedbo in refleksijo umetniškega projekta Na cesti brez bratstva in enotnosti, v katerem so teoretična izhodišča prenesena v intervencijo znotraj virtualnega okolja videoigre. In bachelor's thesis, i talk about an artistic intervention that holds a title On the road without brotherhood and unity that i do in videogame Euro truck simulator 2. In the theoretical part of the thesis, i address a nart collective Total Refusal, which i later on compare to ideas and works of Situationist International. I focus on Debord's Society of the Spectacle and to the concepts of derive, detournement and psychogeography, which serve as a theoretical basis for reflecting on the potential of videogames as a space for artistic inquiry and critical engagement with contemporary society. I then examine the extent to which parallels can be drawn between the works of Total Refusal and those of the Situationists. On this basis i then study the role of mainstream videogames as an apparatus of the spectacle and compare how we percieve the medium of videogames, in comparison with other media, such as film. With that i try to get to the conclusion regarding what sort of space do videogames portray and which kind of potential do they offer within it. In the practical part of the thesis i present my concept, execution and reflection of my artistic project On the road without brotherhood and unity, in which the theoretical foundations are translated into an intervention within the virtual environment of a videogame. SLIKARSTVO CESTA BRATSTVA IN ENOTNOSTI VIDEOIGRA TOTAL REFUSAL APROPRIACIJA SITUACIONISTIČNA INTERNACIONALA DETOURNEMENT VIDEO DIPLOMSKE NALOGE PAINTING BROTHERHOOD AND UNITY HIGHWAY VIDEOGAME TOTAL REFUSAL APPROPRIATION SITUATIONIST INTERNATIONAL DETOURNEMENT VIDEO BA THESIS true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2026-09-11 09:02:10 2026-09-11 09:02:11 2026-09-14 03:27:47 0000-00-00 00:00:00 2026 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 39415 13811.pdf 13811.pdf 1 2599A57B41EA4719B08B947D256A017D e28042b15a3892a8c4adbea0bd964fbf33fbbaf40ddbcf87f6b31e81be185ab7 af46c18e-adae-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=247199 Akademija za likovno umetnost in oblikovanje 0 0 0