20.500.12556/RUL-187525 Razvoj slovenskega videospota: produkcija avtorskega videospota The history of the Slovenian music video: production of an original music video Glasbeni videospot je okoli sredine dvajsetega stoletja postal standardna vizualna oprema glasbe po svetu. Kljub spremenjenim medijskim navadam gledalcev in razvoju tehnologije je še vedno vseprisotna. V trenutni dobi preobilja informacij je pomembno ustrezno dokumentirati arhivsko dediščino praks snemanja, produkcije in oddajanja videospota v širšem slovenskem glasbenem prostoru. Raziskava kaže vzporednice v razvoju glasbenega videa po svetu, pri čemer obravnava predvsem ameriškega, ter opisuje različne formate, produkcijske metode in načine distribucije videospotov skozi čas, v dinamičnem medijskem okolju od začetkov zvočnega filma do specializiranih televizijskih oddaj ter prevlade spleta. V praktičnem delu so dokumentirane metode koncipiranja treh avtorskih videospotov v kontekstu konceptualnega albuma skupine Masaž. Diplomsko delo vključuje tudi vsebinsko poglabljanje v besedila skladb. Album in njegova celostna vizualna podoba še nista dokončana, sta pa v diplomskem delu predstavljena kot kontekstualna osnova za praktični projekt. The music video became an established visual accompaniment to music worldwide around the middle of the twentieth century. Through the changing development of viewers’ media habits and technological advancements, it has remained omnipresent. In the current era of information abundance, it is important to appropriately document the archival heritage of music video recording, production, and broadcasting practices within the broader Slovenian music scene. The research establishes parallels with the development of global, particularly American, music video culture and examines different formats, production approaches, and methods of music video distribution over time within a dynamic media environment, from the beginnings of sound in film to specialised television programmes and the internet. The practical part documents methods of conceptualising an original music video within the context of a conceptual album by the group Masaž. The thesis also includes an in-depth exploration of the content and themes of the song lyrics. The album and its overall visual identity are not completed within the scope of this thesis; rather, they are presented as a contextual foundation for the practical project. Slikarstvo Slovenski videospot Popularna glasba Distribucija glasbe Arhiviranje Glasbena televizija Videoumetnost Konceptualni album Vizualna identiteta Diplomska naloga Painting Slovenian music video Popular music Music distribution Archiving Music television Video art Conceptual album Visual identity BA thesis true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2026-09-11 09:00:58 2026-09-11 09:01:00 2026-09-13 03:42:50 0000-00-00 00:00:00 2026 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 39405 13734.pdf 13734.pdf 1 F6345F48A9D54943B7133964A3148E7E 83a010cab41bd68b44359ef8ac1ecdd6cb1666a71554b8550f9ea0db884037d4 874cd007-adae-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=247169 Akademija za likovno umetnost in oblikovanje 0 0 0