20.500.12556/RUL-187516 Komorebi: svetloba skozi krošnje dreves Komorebi: light through the canopy of trees Diplomsko delo v celoti temelji na komorebiju, naravnem pojavu, pri katerem sončni žarki posijejo skozi drevesne krošnje ter na gozdnih tleh ustvarjajo sence in raznolike svetlobne vzorce. Skozi dva slikarska prizora, postavljena v različna gozdna ambienta, želim ujeti specifičen značaj komorebija in raziskati njegove vizualne karakteristike. Pri tem izhajam iz osebnega opazovanja in doživljanja fizične narave ter več referenčnih fotografij, medtem ko me v umetniškem in etičnem smislu navdihujeta umetnost Japonske in njena filozofija narave. Natančneje se v ustvarjalnem procesu v več vidikih naslanjam na japonski slikarski slog nihonga, pri čemer želim z umestitvijo komorebija v kontekst tamkajšnje tradicije raziskati povezanost japonske umetnosti z naravo in religijo. V likovnoteoretski analizi želim na podlagi izhodišč Milana Butine in Jožefa Muhoviča opredeliti temeljne likovne prvine obeh slikarskih prizorov in raziskati vlogo svetlobe pri oblikovanju njune končne podobe. Poleg vidnih lastnosti del naslavljam tudi njuno čustveno komponento in lastna tako likovna kot tudi etična stališča primerjam s slikarstvom nihonge. The BA thesis is entirely based on komorebi, a natural phenomenon in which sunlight filters through tree canopies, creating shadows and diverse light patterns on the forest floor. Through two painted scenes set in different forest environments, I aim to capture the specific character of komorebi and explore its visual characteristics. In doing so, I draw from personal observation and experience of physical nature, as well as several reference photographs. Artistically and ethically, I am inspired by Japanese art and its philosophy of nature. More specifically, my creative process draws upon the Japanese painting style nihonga in several aspects. By placing komorebi within the context of this tradition, I wish to explore the connection between Japanese art, nature, and religion. In the art-theoretical analysis, based on the premises of Milan Butina and Jožef Muhovič, I aim to define the core formal art elements of both painted scenes and explore the role of light in shaping their final image. In addition to the visible properties of the artworks, I also address their emotional component and compare my own artistic and ethical viewpoints with nihonga painting. slikarstvo japonsko slikarstvo svetloba narava Sonce drevo diplomska naloga painting Japanese painting light nature Sun tree BA thesis true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2026-09-11 09:00:32 2026-09-11 09:00:34 2026-09-13 03:36:06 0000-00-00 00:00:00 2026 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 39403 13756.pdf 13756.pdf 1 ADBAF26E4D9FF2BBDA6837AFC5D985D1 3f86483fa172543eac02d6d2bfa2fbb4ecfc82438cd439d7160e5b31665df7dc 798365fc-adae-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=247161 Akademija za likovno umetnost in oblikovanje 0 0 0