20.500.12556/RUL-187513 Videoigre med umetnostjo, potopitvenostjo in kritičnim diskurzom Video games between art, immersion and critical discourse V diplomskem delu raziskujem potopitvenost v videoigrah skozi vprašanje prostora, telesa in zaznave, s poudarkom na kritičnih videoigrah in neigrah. Osredotočam se na razumevanje virtualnega prostora kot večplastnega in heterotopičnega okolja, ki presega zgolj reprezentacijo fizičnega prostora. Pri tem izhajam iz teorij Michela Foucaulta ter videoigre obravnavam kot prostorske in estetske sisteme, ki igralca vključujejo predvsem z načini orientacije, gibanja in zaznavanja znotraj digitalnega okolja. Posebno pozornost namenjam videoigri The Night Journey, ki jo analiziram kot primer kontemplativne in neciljno usmerjene igralne izkušnje. Raziskujem, kako se s počasno navigacijo, odsotnostjo jasnega cilja, megleno vizualnostjo in prostorsko dezorientacijo vzpostavljajo občutki prisotnosti, sublimnega in izgube distance med igralcem ter virtualnim prostorom igre. Kritične videoigre pri tem razumem kot medij, ki ne temelji nujno na tekmovalnosti ali učinkovitosti, temveč odpira prostor za refleksijo in kontemplacijo. In my thesis, I explore immersion in video games through the lens of space, the body, and perception, with an emphasis on critical video games and non-games. I focus on understanding virtual space as a multi-layered and heterotopic environment that transcends the mere representation of physical space. In doing so, I draw on the theories of Michel Foucault and treat video games as spatial and aesthetic systems that engage the player primarily through modes of orientation, movement, and perception within the digital environment. I pay particular attention to the video game The Night Journey, which I analyze as an example of a contemplative and non-goal-oriented gaming experience. I explore how, through slow navigation, the absence of a clear goal, hazy visuals, and spatial disorientation, feelings of presence, the sublime, and a loss of distance between the player and the game’s virtual space are established. In this context, I understand critical video games as a medium that is not necessarily based on competition or efficiency, but rather opens up space for reflection and contemplation. slikarstvo estetika videoiger potopitvenost interaktivna umetnost neigre virtualni prostor igralec heterotopija kritične igre diplomska naloga painting videogame aesthetics immersion interactive art non-games virtual space player heterotopia critical games BA thesis true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2026-09-11 09:00:09 2026-09-11 09:00:23 2026-09-13 03:34:43 0000-00-00 00:00:00 2026 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 39402 13081.pdf 13081.pdf 1 079DFEA6DBBE0E14744B409DE4C9F00A 224f41b9dd3262ff168d7d0c7184f33edb610fbcb56f08256ba96fa30a636258 718a5a74-adae-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=247156 Akademija za likovno umetnost in oblikovanje 0 0 0