20.500.12556/RUL-187401 Ikonografska analiza Visconti-Sforza in Sola Busca tarok kart primerjava ikonografske zasnove tarokov v kontekstu renesančnega humanizma Iconographic Analysis of Visconti-Sforza and Sola Busca Tarot Cards zaključna seminarska naloga Diplomsko delo obravnava ikonografsko in primerjalno analizo dveh ključnih renesančnih kompletov tarok kart: Visconti-Sforza (približno 1450) in Sola Busca (približno 1491). Namen dela je raziskati, kako se v teh izdelkih odraža intelektualni svet 15. stoletja, zlasti vplivi humanizma, neoplatonizma in hermetične filozofije. Osrednji del predstavlja podrobna analiza 22 velikih arkanov kompleta Visconti-Sforza, ki so interpretirani kot antropocentrični kozmografski sistem in poustvarjajo platonski mit o popotovanju duše od nevednosti do ponovne združitve z božanskim umom. Primerjalna analiza razkriva bistvene razlike v vsebinskem pristopu. Ikonografija Visconti-Sforza temelji na uveljavljenih moralnih prispodobah in družbenem redu svojega časa, medtem ko Sola Busca uvaja individualizirane zgodovinske osebnosti večinoma iz rimske antike ter se močneje nagiba k hermetičnim in alkimističnim motivom. V obeh kompletih ima ključno vlogo podoba človeka kot aktivnega udeleženca v lastnem odrešenju in posrednika med materialnim in duhovnim svetom. Tarok Sola Busca je v delu uporabljen kot ilustrativen primer heterogeničnosti renesančne miselnosti, ki z obskurnimi simboli in zgodovinsko konkretizacijo napoveduje nove smeri humanističnega raziskovanja človekovega mesta v kozmosu. The thesis deals with an iconographic and comparative analysis of two key Renaissance tarot card decks: the Visconti-Sforza deck (around 1450) and the Sola Busca deck (around 1491). The aim of the thesis is to explore how the intellectual world of the 15th century is reflected in these artifacts, particularly the influence of humanism, Neoplatonism, and Hermetic philosophy. The central part of the thesis consists of a detailed analysis of the 22 Major Arcana cards of the Visconti-Sforza deck, which are interpreted as an anthropocentric cosmographic system that recreates the Platonic myth of the soul’s journey from innocence to reunification with the divine intellect. The comparative analysis reveals significant differences in thematic approach: the iconography of the Visconti-Sforza deck is based on established moral allegories and the social order of its time, whereas the Sola Busca deck introduces individualized historical figures, mostly from Roman antiquity, and leans more strongly toward Hermetic and alchemical motifs. In both decks, the image of the human being plays a central role—as an active participant in their own salvation and as a mediator between the material and spiritual worlds. In the thesis, the Sola Busca tarot is used as an illustrative example of the heterogeneity of Renaissance thought, which, through obscure symbols and historical concretization, anticipates new directions in the humanistic exploration of humanity’s place in the cosmos. tarok ikonografija Visconti-Sforza Sola Busca italijanska renesansa humanizem neoplatonizem hermetizem veliki arkani kozmografski sistem tarot iconography Visconti-Sforza Sola Busca Italian Renaissance humanism Neoplatonism Hermeticism Major Arcana cosmographic system true false false Ž. Matevc Slovenski jezik Angleški jezik Diplomsko delo/naloga 2026-09-11 07:16:30 2026-09-11 07:16:37 2026-09-15 13:44:42 0000-00-00 00:00:00 2026 0 Ljubljana 0 Ljubljana 90 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 7.04:685.811.6"14"(043.2) 628053 291170307 71953.pdf 71953.pdf 1 BB048AB876B23890A7AB892A8309AA70 92d63899258c5429816db9aefe4deb57bf22525daac4826d11b519b6324f76ea f0a4c79f-ad9f-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=247029 Filozofska fakulteta 0 0 0