20.500.12556/RUL-187284 Kulturna politika in javna skulptura na Slovenskem magistrsko delo Cultural Politics and Public Sculpture in Slovenia Magistrska naloga obravnava kulturno politiko kot okvir, ki oblikuje pogoje in režime za ustvarjanje javnih spomenikov v Sloveniji, javno skulpturo pa kot objekt, v katerem se ti pogoji materializirajo. Javne spomenike obravnavam kot materialne izraze širših političnih, družbenih in kulturnih procesov, katerih pomen oblikujejo tudi odločitve glede njihovega ustvarjanja, financiranja, postavitve, vzdrževanja in vključevanja v javni prostor. Zlasti me zanima, kako kulturna politika oblikuje pogoje za ustvarjanje spomenikov, kdo lahko sodeluje v tem procesu ter katere interpretacije preteklosti postanejo javno vidne in družbeno priznane. Posebno pozornost posvečam temu, kako organizacija ustvarjanja spomenikov odraža in hkrati oblikuje družbene odnose, razmerja moči ter možnosti za družbeno participacijo. S primerjavo političnih in družbenih pretresov iz let 1918, 1945 in 1991 pokažem, kako se poleg političnega reda spreminjajo tudi načini, na katere se kolektivni spomin ustvarja, upravlja in legitimira. Ustvarjanje spomenikov se tako kaže kot družbena in kulturna praksa, ki ne le odraža obstoječe družbene odnose, temveč tudi aktivno sodeluje pri njihovem oblikovanju. This master’s thesis examines cultural policy as a framework that shapes the conditions and regimes for the creation of public monuments in Slovenia, and public sculpture as an object in which these conditions materialize. I treat public monuments as material expressions of broader political, social, and cultural processes, whose significance is also shaped by decisions regarding their creation, funding, installation, maintenance, and integration into public space. I am particularly interested in how cultural policy shapes the conditions for the creation of monuments, who can participate in this process, and which interpretations of the past become publicly visible and socially recognized. I pay particular attention to how the organization of monument creation both reflects and shapes social relations, power dynamics, and opportunities for social participation. By comparing the political and social upheavals of 1918, 1945, and 1991, I demonstrate how, in addition to the political order, the ways in which collective memory is created, managed, and legitimized also change. The creation of monuments thus emerges as a social and cultural practice that not only reflects existing social relations but also actively participates in shaping them. Kulturna politika javna skulptura spomeniška produkcija politična legitimacija javni prostor. Cultural politics public sculpture monument production political legitimacy public space. true false false [L. Žnidaršič] Slovenski jezik Angleški jezik Magistrsko delo/naloga 2026-09-10 07:15:46 2026-09-10 07:15:54 2026-09-14 12:03:56 0000-00-00 00:00:00 2026 0 Ljubljana 0 Ljubljana 178 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 316.7(043.2) 627707 290990339 71734.pdf 71734.pdf 1 75B208A9FA0F9C2828BF74AC8A9EC4A4 85aed5919e552fcfb7b22a8a1ff2effe2453d4c9524f0a6d88d7b339b911d084 ac840a09-acd6-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=246834 Filozofska fakulteta 0 0 0