20.500.12556/RUL-187140 Čajnik kot nosilec spomina na slovensko lončarstvo. The teapot as a carrier of memory of Slovenian pottery. V diplomskem delu obravnavam čajnik kot keramično formo, ki temelji na reinterpretaciji tradicije slovenskega lončarstva. Ker čajnik v slovenski keramični zgodovini ni bil razvit kot samostojna oblika, raziskava iz tega izhodišča razvija možnost njegove sodobne oblikovne in simbolne nadgradnje. Obrt je kot taka globoko zakoreninjena v tradiciji, zato skozi reinterpretacijo slovenske tradicionalne keramike raziskujem nove sodobne oblike, ki tradicijo aktualizirajo in jo umeščajo v sodobni čas. Namen dela je raziskati in pokazati, kako je mogoče tradicionalne elemente, kot so material, oblika, razmerja in ornamentika, sodobno reinterpretirati v oblikovanju. V teoretičnem delu so predstavljeni zgodovina slovenskega lončarstva, njegov razvoj od podeželske obrti do industrializacije in postopen upad zaradi novih materialov in tehnologij. Opisaniso pomembna regionalna središča in njihove značilne oblike, tehnike in dekorativni pristopi. Tradicionalna keramika je bila tesno povezana z vsakdanjim življenjem, njena funkcionalnost pa se je prepletala z raznolikimi dekorativnimi pristopi, značilnimi za posamezna regionalna okolja. V praktičnem delu povezujem analitično-raziskovalni del s praktičnim delom, kjer je čajnik razumljen kot nova oblika, ki lahko na sodoben način združuje in reinterpretira elemente slovenske lončarske dediščine. Proces izdelave je vključeval oblikovanje, sušenje in biskvitno ter glazurno žganje, pri čemer so se pokazali tudi nepredvideni rezultati. Rezultat raziskave je unikatni keramični čajni servis, pri katerem so izbrane značilnosti slovenskega lončarstva reinterpretirane in prenesene v sodoben oblikovalski kontekst. Tradicionalna izhodišča se kažejo v trebušasti formi, vidnih nogicah, rastlinski ornamentiki, ročnem oblikovanju na lončarskem vretenu in uporabi lokalne gline. Praktični del je pokazal, da je mogoče značilnosti tradicionalnega slovenskega lončarstva uporabiti kot izhodišče za oblikovanje nove keramične forme brez neposrednega posnemanja zgodovinskih predmetov. Hkrati je raziskava izpostavila pomen poznavanja in prilagajanja lokalnega materiala ter tehnoloških postopkov pri razvoju sodobnega keramičnega izdelka. In this thesis, I examine the teapot as a contemporary ceramic form based on the reinterpretation of the Slovenian pottery tradition. Since the teapot was not developed as an independent form within the history of Slovenian ceramics, the research explores the possibilities of its contemporary formal and symbolic reinterpretation. Craftsmanship as such is deeply rooted in tradition; therefore, through the reinterpretation of traditional Slovenian ceramics, I explore new contemporary forms that actualize tradition and place it within a modern context. The aim of the thesis is to investigate and demonstrate how traditional elements such as material, form, proportions, and ornamentation can acquire a new role in contemporary design. The theoretical part presents the history of Slovenian pottery, its development from a rural craft to industrialization, and its gradual decline due to new materials and technologies. It also describes important regional centers and their characteristic forms, techniques, and decorative approaches. Traditional ceramics were closely connected to everyday life, while their functionality intertwined with diverse decorative approaches characteristic of individual regional environments. Special emphasis is placed on the typology of ceramic products, where containers for food and liquids predominate, while the teapot is absent due to the use of already made pottery for drinking tea. In the practical part, I connect the analytical and research-based part of the thesis with practical work, in which the teapot is understood as a new form that can combine and reinterpret elements of Slovenian pottery heritage in a contemporary way. The production process included forming, drying, bisque firing, and glaze firing, during which some unexpected results also occurred. The result of the research is a unique ceramic tea set in which selected characteristics of Slovenian pottery are reinterpreted and transferred into a contemporary design context. Traditional references are reflected in the rounded, bulbous form, visible feet, plant-based ornamentation, hand-forming on the potter’s wheel, and the use of local clay. The practical work demonstrated that the characteristics of traditional Slovenian pottery can serve as a starting point for designing a new ceramic form without directly imitating historical objects. At the same time, the research highlighted the importance of understanding and adapting local materials and technological processes in the development of a contemporary ceramic product. unikatno oblikovanje čajnik kultura slovensko lončarstvo reinterpretacija obrt tradicija keramika diplomsko delo applied arts teapot culture Slovenian pottery reinterpretation craft tradition ceramics BA thesis true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2026-09-09 09:00:33 2026-09-09 09:00:38 2026-09-10 04:31:02 0000-00-00 00:00:00 2026 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 39254 13781.pdf 13781.pdf 1 9CC98BA7C78BAC0A743F7C726C289160 34caa8d1615764ae97cf8e470aaa4e95d097c7ada4b4d51c9a3a970535976beb 24108469-ac1c-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=246587 13782.pdf 13782.pdf 1 A63BAEE1CC07AD413A8DB72A2954450D b2336079fc7fde4169f825bb576b9dbcdf117fad73805a836cc47e651bab5a2f 2411f4d7-ac1c-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=246588 13783.pdf 13783.pdf 1 4DA22370192B25F18C8CCC7F81D44A2B c2e95bad9899057482f097996432ecf466fa90fb42678cfc1feb713366d515ff 2412b532-ac1c-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=246589 13784.pdf 13784.pdf 1 0A2B1C278D4F4CA6AFCEC1FB4EC556DE ec7c9d5377671587a6edea8014eb8eb385f1d91ad382db95999df15a3b928d29 24133fa6-ac1c-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=246590 Akademija za likovno umetnost in oblikovanje 0 0 0