20.500.12556/RUL-187097 Definicija in pomen naključij v likovni umetnosti diplomsko delo Definition and Meaning of Coincidences in Fine Art Diplomsko delo obravnava definicijo in pomen naključij v likovni umetnosti. Izhodišče za to delo je bilo opažanje naključnih pojavov med lastnim ustvarjalnim procesom, predvsem pri zlivanju in razlivanju akrilne barve po slikarski površini. Naključje je v likovni umetnosti povezano z nepredvidljivimi pojavi, ki nastanejo zaradi vpliva materiala, gibanja, fizikalnih dejavnikov ali drugih okoliščin. Umetnik jih lahko sprejme, zavrne ali vključi v nadaljnje ustvarjanje. V teoretičnem delu so predstavljeni pomen in različne opredelitve naključja, njegov pojav pri delih izbranih umetnikov in načini, na katere so ga ti umetniki uporabljali. Obravnavani so Leonardo da Vinci, Edgar Degas, Max Ernst, Marcel Duchamp, Hans (Jean) Arp in Jackson Pollock, pri katerih naključje nastopa kot izhodišče, del umetniškega procesa, materialni učinek ali načrtno sprožen pojav. Pozornost je namenjena razlikovanju med naključji, ki nastanejo spontano in jih umetnik naknadno uporabi, ter naključji, ki so načrtno sprožena v okviru izbranega postopka. V praktičnem delu so predstavljena moja dela, nastala z zlivanjem, nagibanjem in obračanjem slikarske površine. Analiza ustvarjalnega procesa je pokazala, da se naključje v mojih delih pojavlja predvsem v začetnem procesu zlivanja barve in nagibanja površine pod različnimi koti. V nastalih oblikah sem prepoznavala različne podobe in jih ponekod dopolnila s slikanjem. Ugotovljeno je bilo, da moj ustvarjalni proces temelji na prepletanju naključja in namernosti ter se povezuje predvsem s postopki Jacksona Pollocka, Marcela Duchampa in Maxa Ernsta. This thesis examines the definition and significance of coincidence and chance in fine art. It is based on the observation of chance occurrences during my own creative process, particularly in the dripping and spreading of acrylic paint across the painting surface. In fine art, chance is associated with unpredictable phenomena arising from the influence of the material, movement, physical factors, or the circumstances. The artist may accept, reject, or incorporate these phenomena into the subsequent creative process. The theoretical section presents the significance and various definitions of coincidences, its occurrence in the works of selected artists, and the ways in which these artists employed it. The artists discussed are Leonardo da Vinci, Edgar Degas, Max Ernst, Marcel Duchamp, Hans (Jean) Arp and Jackson Pollock. In their work, chance appears as a point of departure, as part of the artistic process, as a material effect or as a deliberately initiated phenomenon. Attention is paid to the distinction between coincidence occurrences that arise spontaneously and are subsequently incorporated by the artists, and those that are deliberately initiated as part of a chosen procedure. The practical section presents my works created by pouring, tilting and rotating the painting surface. An analysis of the creative process showed that coincidence occurs in my work primarily during the initial process of pouring the paint and tilting the surface at different angles. In the resulting forms, I recognised various images and, in some cases, supplemented them through painting. The findings indicate that my creative process is based on an interplay between coincidence or chance and intentionality and it is primarily connected with the procedures employed by Jackson Pollock, Marcel Duchamp, and Max Ernst. umetnost likovna umetnost slikarstvo naključja v likovni umetnosti definicija naključij v likovni umetnosti pomen naključij v likovni umetnosti art fine art painting coincidence in fine art definition of coincidence in fine art meaning of coincidence in fine art true false false K. Markič Slovenski jezik Angleški jezik Diplomsko delo/naloga 2026-09-09 08:30:15 2026-09-09 08:30:18 2026-09-10 10:08:04 0000-00-00 00:00:00 2026 0 Ljubljana 0 Ljubljana 54 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 7(043.2) 209847 290616579 53795.pdf 53795.pdf 1 E77C686D2DFB36047D7C647321840851 a0b6f0da1a6f2acfb554023a66a38f82b63e5f214b7bd4203c06badef6d2fdbd e6cb8e71-ac17-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=246536 Pedagoška fakulteta 0 0 0