20.500.12556/RUL-187096 Mešanje barv s slojenjem transparentnega papirja diplomsko delo Color mixing by layering transparent paper V nalogi obravnavam barvo kot fizikalni pojav, likovni material in likovno prvino ter se osredotočam na različne načine barvnega mešanja. Raziskujem zgodovino uporabe transparentnega papirja, njegove izdelave in proizvodnje. Ločim različne tipe transparentnega papirja glede na njegove fizične značilnosti, uporabo in način izdelave. Opisujem dela Milene Gregorčič in Tine Konec, slovenskih umetnic, ki v svojem delu veliko uporabljata prosojni material, med drugim tudi paus papir. V praktičnem delu naloge na kratko opišem svoj način dela z oljnimi pasteli: slike gradim s slojenjem poslikanih listov paus papirja. Ob postavitvi pred svetlobni vir (okno) se slike sestavijo v eno, barve različnih slojev se mešajo. Barvno mešanje natančno analiziram in določam možnosti in omejitve izbrane likovne tehnike. Pri slikanju se omejujem na delo s tremi primarnimi barvami. Motiv mojih slikarskih del je avtobusna postaja. Pri delu mi tehnika plastenja transparentnega papirja omogoča raziskovanje slikarskega prikaza premikajoče se množice ljudi, njihovih senc in odsevov. In the paper, I discuss colour as a physical phenomenon, an artistic material, and an artistic element, and I focus on different methods of colour mixing. I research the history of the use of transparent paper, how it is made, and its mass production. I distinguish different types of transparent paper according to their physical characteristics, use, and method of production. I describe the works of Milena Gregorčič and Tina Konec, Slovenian artists who use a lot of transparent materials in their work, including tracing paper. In the practical part of the assignment, I describe my method of working with oil pastels: I construct paintings by layering painted sheets of tracing paper. When placed in front of a light source (window), the paintings are assembled into one and the colours of the different layers mix. I analyse the colour mixing in detail and determine the possibilities and limitations of the chosen artistic technique. When painting, I limit myself to working with three primary colours. The motif of my paintings is a bus stop. In my work, the technique of layering transparent paper allows me to explore different ways of depicting moving crowds, people, their shadows, and reflections. barve barva barvno mešanje optično mešanje barv lazurno mešanje barv transparenten papir paus papir oljni pasteli Color color mixing optical color mixing glazing transparent paper tracing paper oil pastels true false false Š. Gabrovec Slovenski jezik Angleški jezik Diplomsko delo/naloga 2026-09-09 08:30:08 2026-09-09 08:30:11 2026-09-10 10:14:42 0000-00-00 00:00:00 2026 0 Ljubljana 0 Ljubljana 55 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 7.017.4(043.2) 209846 290618627 53264.pdf 53264.pdf 1 8002AAA09DCD7F65A6CE3E4736F459BC 0698eb7e180155f34d0b9a0204c67626a7e540da417017a525cd4426c710df85 e4008af3-ac17-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=246535 Pedagoška fakulteta 0 0 0