20.500.12556/RUL-186991 Sodobna kolekcija oblačil s poudarkom na feminizirani moški estetiki Contemporary fashion collection with emphasis on feminized male aesthetic Magistrsko delo obravnava modo kot medij raziskovanja spola, identitete in družbenih norm skozi razvoj avtorske kolekcije oblačil. Raziskujemo vlogo oblačil v samoizražanju in vpliv modnega oblikovanja na spreminjanje ustaljenih predstav o spolni identiteti, moškosti in ženskosti. Namen dela je raziskati preplet kulturnih, družbenih in zgodovinskih vplivov na moško modo in njen razvoj ter refleksijo teh vplivov v sodobni oblikovalski praksi. Teoretični del predstavljata zgodovinski pregled razvoja moške mode od 17. stoletja vse do danes ter analiza tega, kako so se v povezavi z družbenim položajem in spolnimi vlogami spreminjali estetski ideali moške mode in identitete. Delo obravnava spol, spolno identiteto in spolne stereotipe, preko katerih raziskuje feminizirano moško estetiko in zabrisovanje tradicionalnih ženskih in moških elementov v oblačenju in modi. S študijo primerov modnih znamk Thom Browne in Charles Jeffrey Loverboy analizira vpliv spola na modno oblikovanje in vpliv mode na razvoj in razumevanje spola in spolne identitete, pogleda na moško modo in izražanje moškosti z obleko. Predstavljene so tudi modne znamke Loewe, Maison Margiela in Rabanne, ki v svojem oblikovanju nove pristope povezujejo s tradicionalnimi ročnimi tehnikami. Analizirani so primeri treh glasbenih albumov in njihovih t. i. er, ki temeljijo na iskanju pozornosti. Primeri albumov Something to Give Each Other, Bangerz in STARFUCKER so ključni za raziskavo iskanja pozornosti skozi primere seksualnosti, provokacije in želje po slavi. Praktični del magistrskega dela zajema proces oblikovanja avtorske kolekcije oblačil, zasnovane na ugotovitvah teoretične raziskave. Tematika spolne identitete, fluidnosti in samoizražanja je interpretirana s sodobnim oblikovalskim pristopom, izbiro materialov, detajlov, tehnik in eksperimentiranjem s silhueto. Temelj oblikovanja je v prepletanju elementov, ki tradicionalno pripadajo moški in ženski modi. Tako vzpostavlja dialog med sodobnim razumevanjem spola in zgodovinsko dediščino moškega oblačenja. Kolekcija ni zgolj estetski izdelek, temveč je tudi raziskovalni rezultat, ki vodi in spodbuja kritično razmišljanje o spolu in njegovi vlogi v sodobni družbi. Predstavlja pomen mode pri oblikovanju identitete in možnostih preseganja stereotipov o moškosti in ženskosti. Magistrsko delo združuje teoretično raziskovanje in oblikovalsko prakso ter potrjuje, da moda ni le odraz družbenih sprememb, temveč tudi aktivno orodje za njihovo soustvarjanje. Avtorska kolekcija tako predstavlja oblikovalski odgovor na aktualna vprašanja identitete, enakosti in svobode izražanja ter odpira prostor za razmislek o sodobni vlogi mode v družbi. The master’s thesis explores fashion as a medium for investigating gender, identity, and social norms through the development of an original clothing collection. It examines the role of clothing in self-expression and the influence of fashion design on changing established perceptions of gender identity, masculinity, and femininity. The aim of the thesis is to explore the interplay of cultural, social, and historical influences on men’s fashion and its development, as well as the reflection of these influences in contemporary design practice. The theoretical section presents a historical overview of the development of men’s fashion from the 17th century to the present day and analyses how the aesthetic ideals of men’s fashion and masculinity have changed in relation to social status and gender roles. The thesis examines gender, gender identity, and gender stereotypes in order to explore feminised masculine aesthetics and the blurring of traditionally feminine and masculine elements in dress and fashion. Through case studies of the fashion brands Thom Browne and Charles Jeffrey Loverboy, it analyses the influence of gender on fashion design, as well as the influence of fashion on the development and understanding of gender and gender identity, perceptions of men’s fashion, and expressions of masculinity through dress. It also examines the fashion brands Loewe, Maison Margiela, and Rabanne, which incorporate new approaches into their design practices while drawing on traditional artisanal techniques. In addition, three musical albums and their respective eras are analysed in relation to the pursuit of attention. The albums Something to Give Each Other, Bangerz and STARFUCKER are central to the exploration of attention-seeking through sexuality, provocation, and the desire for fame. The practical section of the master’s thesis encompasses the process of designing an original clothing collection based on the findings of the theoretical research. The themes of gender identity, fluidity, and self-expression are interpreted through a contemporary design approach involving the selection of materials and details, the application of various techniques, and experimentation with silhouette. The foundation of the collection lies in the intertwining of elements traditionally associated with men’s and women’s fashion. In this way, the collection establishes a dialogue between contemporary understandings of gender and the historical heritage of men’s dress. The collection is not merely an aesthetic product but also a research outcome that encourages critical reflection on gender and its role in contemporary society. It highlights the role of fashion in shaping identity and its potential to transcend stereotypes surrounding masculinity and femininity. The master’s thesis combines theoretical research and design practice to demonstrate that fashion is not merely a reflection of social change but also an active tool in shaping and contributing to such change. The original collection therefore represents a design response to contemporary questions of identity, equality, and freedom of expression, while opening up space for reflection on the role of fashion in contemporary society. spol spolna identiteta feminizirana moška estetika sodobna moda gender gender identity feminised masculine aesthetics contemporary fashion true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2026-09-08 09:01:27 2026-09-08 09:01:32 2026-09-09 04:22:16 0000-00-00 00:00:00 2026 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 116059 30565.pdf 30565.pdf 1 C94C66DDF0304834835263ADAACBC27E 591eb3a73fdbf98708d017ed15aa95ab51fbd663a82465e846ebe4963a1240d9 1d36c388-ab53-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=246402 Naravoslovnotehniška fakulteta 0 0 0