20.500.12556/RUL-186977 Negotiating home through sevdalinka among a new generation of its interpreters: Music and situated belonging in the post-Yugoslav space Razumevanje doma skozi sevdalinko med novo generacijo njenih interpretov: Glasba in umeščena pripadnost v postjugoslovanskem prostoru The primary concern of this master’s thesis is centered around the significance of music-making in the perception of home among a new generation of interpreters of sevdalinka, broadly defined as a genre of traditional Bosnian-Herzegovinian music. Based on ethnographic research with three artists, i.e. performers of specific interpretations of this musical genre, the thesis examines how creative engagements with sevdalinka reflect and articulate specific relationships to space, identity and tradition within post-Yugoslav contexts. Sevdalinka has so far been interpreted primarily in a post-war framework (e.g. the context of displacement or the formation of the Bosnian-Herzegovinian diaspora) and embedded in broader processes of understanding nationalization across the former Yugoslavia. Those processes were also often reflected in the national appropriation of this musical genre. Relying on anthropological approaches to music, home and creativity, this work conceptualises music-making as a reflexive process embedded in broader social, cultural, historical and political contexts. The research shows how creative engagements with sevdalinka emerge from situated negotiations with inherited musical, spatial and political frameworks, while simultaneously holding potential for their reinterpretation. Music-making becomes a means of articulating understandings and attachments of past and present homes. At the same time, music, and the interpretation of sevdalinka in particular, offers possibilities for the critical reconsideration about the present and the imagination of different futures. Magistrska naloga se osredinja na pomen ustvarjanja glasbe pri dojemanju oz. percepciji doma med novo generacijo interpretov sevdalinke, ki je v širšem smislu opredeljena kot žanr tradicionalne bosansko-hercegovske glasbe. Na podlagi etnografskega raziskovanja treh sodobnih mladih umetnikov oz. izvajalcev specifičnih interpretacij omenjenega glasbenega žanra, naloga obravnava vprašanje, kako ustvarjalno izvajanje sevdalinke odseva in izraža specifične odnose do prostora, identitete in kulturne dediščine, in sicer v sodobnih postjugoslovanskih kontekstih. Sevdalinka je bila namreč doslej interpretirana predvsem v povojnem okviru (denimo v kontekstu begunstva v 90ih letih ali pri oblikovanju bosansko-hercegovske diaspore) in vpeta v širše razumevanje nacionalizacije na območju nekdanje Jugoslavije. Ti procesi so bili evidentni tudi v procesih nacionalnega prilaščanja glasbenega žanra. Delo izhaja iz antropoloških pristopov razumevanja glasbe, doma in ustvarjalnosti ter ustvarjanje glasbe obravnava kot refleksiven proces, vpet v širše družbene, kulturne, zgodovinske in politične kontekste. Raziskava pokaže, kako ustvarjalno ukvarjanje s sevdalinko izhaja iz situiranih pogajanj s posredovanimi glasbenimi, prostorskimi in političnimi okviri, hkrati pa odpira možnosti za njihovo reinterpretacijo. Glasbeno ustvarjanje postane sredstvo za artikulacijo navezanosti oz. razumevanja nekdanjih in sedanjih domov. Sočasno pa glasba in konkretno reinterpretacija sevdalinke nudi možnosti tudi za kritično premišljevanje o sedanjosti in zamišljanje prihodnosti. sevdalinka music home the post-Yugoslav space Bosnia and Herzegovina sevdalinka glasba dom postjugoslovanski prostor Bosna in Hercegovina true false false Angleški jezik Slovenski jezik Magistrsko delo/naloga 2026-09-08 08:52:20 2026-09-08 08:52:25 2026-09-09 04:22:10 0000-00-00 00:00:00 2026 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 627411 71532.pdf 71532.pdf 1 E1C6AA6D499C65B9264492EBD68E2C1D e25b194be644ac23ae8cbc4eb41e28b33c4f2c3d764818f4a91cb7708af9d5b6 d50d3815-ab51-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=246388 Filozofska fakulteta 0 0 0