20.500.12556/RUL-186761 Med hrupom in tišino: filozofsko-zgodovinska analiza zvočnih razsežnosti slovenskih taborov (1868–1871) magistrsko delo Between noise and silence: a philosophical-historical analysis of sonic dimensions in the Slovenian “Tabori” rallies (1868–1871) magistrsko delo Magistrsko delo raziskuje tabore (1868–1871), množična slovenska nacionalna zborovanja, s perspektive zvočne zgodovine in širšega interdisciplinarnega polja zvočnih študij. Na podlagi filozofske razčlenitve pojmov zvoka, glasu, glasbe, hrupa in tišine ter širšega historiografskega konteksta slovenskih taborov naloga ponuja zvočno obarvano interpretacijo primarnih virov. Z analizo publicističnih virov, spominov in osebnih korespondenc rekonstruira konkretne zvočne krajine taborov in nasprotnih ustavnih dni ter bolj abstraktne in metaforične zvočnosti v publicistiki. Zajema raznolike perspektive, ki se razkrijejo, če na tabore gledamo kot na zvočne dogodke, na primer: vpliv prostora na afektivno atmosfero, pomen reakcij množice na unikatnost govorčevega glasu, tišino kot znak politične zrelosti ter podobnosti med zvočnostmi nacionalistov in njihovih nasprotnikov. Raziskava skuša osvetliti, da so narodi poleg »zamišljenih skupnosti« tudi »skupnosti čustev« ter da nacionalna čustva pogosto vznikajo iz čutnih – torej tudi slušnih – izkušenj. This master's thesis examines the tabori (1868–1871), mass Slovenian national assemblies, from the perspective of sound history and the broader interdisciplinary field of sound studies. Based on a philosophical analysis of the concepts of sound, voice, music, noise, and silence, as well as the broader historiographical context of the Slovenian tabori, the thesis offers a sound-informed interpretation of primary sources. Through the analysis of journalistic sources, memoirs, and personal correspondence, it reconstructs the concrete soundscapes of the tabori and the opposing constitutional days, as well as more abstract and metaphorical sonorities in the press. It captures the diverse perspectives that emerge when the tabori are viewed as sonic events, for example: the influence of space on affective atmosphere, the significance of crowd reactions to the uniqueness of a speaker's voice, silence as a marker of political maturity, and the similarities between the sonorities of nationalists and their opponents. The research seeks to illuminate that nations are, besides “imagined communities,” also “communities of emotion,” and that national sentiments often arise from sensory – and thus also auditory – experiences. tabori zvok zvočnosti nacionalizem Slovenci “tabori” rallies sound sonorities nationalism Slovenes true false false K. Tič Slovenski jezik Angleški jezik Magistrsko delo/naloga 2026-09-05 07:45:08 2026-09-05 07:45:15 2026-09-07 12:36:00 0000-00-00 00:00:00 2026 0 Ljubljana 0 Ljubljana 105 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 323.1(497.4)"1868/1871" 626947 290217731 70916.pdf 70916.pdf 1 C5EADEF35B50C4AF8CEB5383AC6D8C41 659b3bc6b950c9f5c544e2d8e11e84b2bb81e933a206bf6ab00027c16fcce503 f802279a-a8ec-11f1-8bc5-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=246129 Filozofska fakulteta 0 0 0