20.500.12556/RUL-185243 Mitizacija Prešernovega "Sonetnega venca" diplomsko delo The mythicization of Prešeren's »A wreath of sonnets« Diplomsko delo poskuša razložiti fenomen velikega števila sonetnih vencev v slovenski literaturi kot posledico specifične recepcije Prešernovega »Sonetnega venca«. Pesniki po Prešernu razumejo sonetni venec kot mojstrsko obliko, primerno za upesnjevanje najglobljih pesniških spoznanj. Ta proces imenujemo mitizacija oblike sonetnega venca in ga razlagamo kot tristopenjsko mitsko strukturo po Barthesu, pri kateri je prišlo do progresivne diferenciacije lastnosti konkretnega literarnega dela v pričakovanja, vezana na pesniško obliko. Raziskane so bistvene lastnosti Prešernovega »Sonetnega venca«, ki so omogočile mitizacijo forme, pri čemer je izpostavljeno v eksistencialnih stiskah utemeljeno dojemanje ljubezni. Prešernovo koncepcijo ljubezni do Julije Primic povezujemo s trubadursko dvorsko ljubeznijo in dokazujemo, da je na podlagi »Sonetnega venca« nastala zgodba o Prešernu in Juliji, ki se je umestila v širši mit o avtorju, s tem pa posredno utrdila mitizirani status forme. This thesis seeks to explain the phenomenon of the large number of crown of sonnets in Slovenian literature as a consequence of the specific reception of France Prešeren’s »A Wreath of Sonnets«. Poets after Prešeren have understood the crown of sonnets as a masterful form, suitable for expressing the deepest poetic insights, a perception referred to here as the mythicization of the crown of sonnets form. This process is interpreted through a three-stage mythical structure following Roland Barthes, in which the characteristics of a specific literary work gradually differentiated into expectations attached to the poetic form itself. The thesis examines the essential features of Prešeren’s »A Wreath of Sonnets« that enabled the mythicization of the form, with particular emphasis on the conception of love grounded in existential distress. Prešeren’s understanding of love for Julija Primic is connected to the tradition of courtly love of the troubadours, demonstrating that, on the basis of »A Wreath of Sonnets«, a narrative about Prešeren and Julija emerged. This narrative became embedded within a broader myth of the author and indirectly reinforced the mythologized status of the form. slovenska poezija France Prešeren Sonetni venec literarna kanonizacija mitizacija trubadurska ljubezen Slovenian poetry France Prešeren A wreath of sonnets literary canonization mythicization courtly love true false false [N. Rac] Slovenski jezik Angleški jezik Diplomsko delo/naloga 2026-07-30 07:16:27 2026-07-30 07:16:32 2026-08-03 15:29:47 0000-00-00 00:00:00 2026 0 Logatec [i. e. Ljubljana] 0 Logatec [i. e. Ljubljana] 61 str. 0000-00-00 Zaloznikova Objavljeno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 821.163.6-1.09Prešeren F. 622850 286732803 65886.pdf 65886.pdf 1 2077186A878BCAC7DEFE29798759E7C9 69c412a4486f6bbce894f93ee8d4ad2d4d82ff2015a5711f12c197d687683d36 8cb0665a-8bd5-11f1-9b0d-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=243575 Filozofska fakulteta 0 0 0