20.500.12556/RUL-185180 Lessingov Laokoont slikarstvo vs. pesništvo Lessing’s Laocoon Lessingov Laokoont je temeljno delo o slikarstvu in pesništvu na Zahodu. Tako kot Lessingov spis se tudi razprava začne s kipom Laokoonta, potem pa natančno obravnava razliko med omenjenima umetnostma, ki jo Lessing razpre v šestnajstem poglavju svojega spisa. Ker sta slikarstvo in pesništvo vsako glede na svoj medij različni, a vendarle bližnji umetnosti, ki mejita druga na drugo, in ker slikarstvo po Lessingu neizogibno vpada na področje pesništva in pesništvo na področje slikarstva, je posebna pozornost v razpravi namenjena ne le njunemu prestopanju medsebojne meje, ampak tudi prekoračitvam, ki peljejo k temu, da pesništvo obtiči v domeni slikarstva in slikarstvo v domeni pesništva. Razprava spremlja oboje, tako njuno prestopanje meje, pri katerem kljub temu ostajata v svojih mejah (Homer, Rafael), kot tudi prekoračitve, ki peljejo k temu, da pesništvo obtiči v domeni slikarstva (Haller) in slikarstvo v domeni pesništva (Kavčič). According to Lessing, painting and poetry are both mimetic but are distinct neighboring arts in terms of their media. Painting is a spatial art; it exists in space because its medium is spatial signs. Th ese signs, the forms in a painting, corre-spond to bodies that exist in space. In contrast, poetry is a temporal art because its medium is temporal signs. Th ese signs, words composed of articulated sounds in a poetic work, correspond to actions that unfold in time. Th e pictorial signs, placed next to each other on the pictorial surface, are suited to depicting bodies that exist alongside each other in space. Th e poetic signs, however, which follow one another in a poetic work, are suited to depicting actions that unfold in time. Since painting cannot depict bodies apart from action and poetry cannot depict actions without bodies, both must at times abandon their appropriate relation-ship and cross each other’s boundaries. Th e discussion considers both their cross-ing of boundaries, in which they nevertheless remain within the limits of their media (Homer, Raphael), as well as transgressions that result in poetry becom-ing confi ned to the domain of painting (Haller) and painting to the domain of poetry (Kavčič). slikarstvo in pesništvo primerjalne študije painting and poetry comparative studies true false true Slovenski jezik Angleški jezik Članek v reviji 2026-07-27 10:48:36 2026-07-27 10:48:45 2026-07-28 04:03:52 0000-00-00 00:00:00 2026 0 0 Str. 23-50 št. 1 Letn. 49 2026 0000-00-00 Zaloznikova Objavljeno NiDoloceno 0000-00-00 0000-00-00 2026-01-01 82.0-1:75 0351-1189 10.3986/pkn.v49.i1.02 280676867 RAZ_Snoj_Vid_2026.pdf RAZ_Snoj_Vid_2026.pdf 1 2B2906BFC1C7115996F54478E9882917 3075a0d52928b73802bd5cd9f5cdafb30725d6b919a75c260d3870240c635416 64e727e2-89a4-11f1-9b0d-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=243461 https://ojs-gr.zrc-sazu.si/primerjalna_knjizevnost/article/view/10427 0 84c91d15-89a4-11f1-9b0d-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=243462 Filozofska fakulteta 0 0 0