20.500.12556/RUL-184981 Vloga ženskih likov v sodobnem kitajskem filmu skozi analizo filmov Qiu Ju išče pravico (1992) in Jaz nisem Pan Jinlian (2016) diplomsko delo The role of female characters in contemporary Chinese cinema through the analysis of The story of Qiu Ju (1992) and I am not Madame Bovary (2016) Namen te diplomske naloge je analizirati podobo ženskih likov v dveh sodobnih kitajskih filmih – Qiu Ju išče pravico (1992) režiserja Zhang Yimouja in Jaz nisem Pan Jinlian (2016) režiserja Feng Xiaoganga. V središču analize je vprašanje, kako sta protagonistki upodobljeni kot ženski, ki iščeta pravico, po čem sta si podobni in po čem različni ter kako njuna motivacija in odnos do birokratskega sistema vplivata na njun subjektivni pogled na pravico. Posebna pozornost je namenjena tudi načinu, kako filmska forma prek ženskih likov kritično komentira birokratski sistem in družbene neenakosti, hkrati pa odraža komercializacijo ženskega lika. Teoretski okvir temelji na feministični teoriji moškega pogleda Laure Mulvey. Metodološko je delo zasnovano kot kvalitativna vizualna in diskurzivna analiza filmskega gradiva. Analiza pokaže, da Qiu Ju kljub soočenju s sistemom ostaja subjekt lastne zgodbe in ni seksualizirana, medtem ko je Li Xuelian skozi celoten film postavljena pod moški pogled, njeno telo pa postane objekt vizualnega užitka in fetišistične skopofilije. Obe protagonistki izhajata iz podeželskega okolja in iščeta moralno zadoščenje, vendar se njuni poti razlikujeta: Qiu Ju išče opravičilo in na koncu pravno zmaga, Li Xuelian pa se bori za očiščenje svojega imena in ostane ujeta v patriarhalni sistem. Zaključki naloge prispevajo k boljšemu razumevanju razvoja ženskih likov v kitajski kinematografiji in odpirajo možnosti za nadaljnje raziskave The aim of this thesis is to analyze the portrayal of female characters in two contemporary Chinese films – The Story of Qiu Ju (1992) directed by Zhang Yimou and I Am Not Madame Bovary (2016) directed by Feng Xiaogang. The analysis focuses on how the two protagonists are depicted as women seeking justice, what similarities and differences can be identified between them, and how their motivation and relationship with the bureaucratic system shape their subjective understanding of justice. Special attention is also given to the way in which cinematic form critically comments on the bureaucratic system and social inequalities through female characters, while simultaneously reflecting the commercialization of the female character. The theoretical framework is based on Laura Mulvey’s feminist theory of the male gaze. Methodologically, the work is designed as a qualitative visual and discursive analysis of film material. The analysis shows that Qiu Ju, despite confronting the system, remains the subject of her own story and is not sexualized, whereas Li Xuelian is placed under the male gaze throughout the entire film, and her body becomes an object of visual pleasure and fetishistic scopophilia. Both protagonists come from a rural environment and seek moral satisfaction, but their paths differ: Qiu Ju seeks an apology and ultimately wins her legal case, while Li Xuelian fights to clear her name and remains trapped in the patriarchal system. The findings of the thesis contribute to a better understanding of the development of female characters in Chinese cinema and open up possibilities for further research. kitajska kinematografija ženski liki moški pogled Qiu Ju Li Xuelian Chinese cinema female characters male gaze Qiu Ju Li Xuelian true false false [M. Todorovska] Slovenski jezik Angleški jezik Diplomsko delo/naloga 2026-07-19 07:17:26 2026-07-19 07:17:31 2026-07-20 13:02:59 0000-00-00 00:00:00 2026 0 Ljubljana 0 Ljubljana 32 str. 0000-00-00 Zaloznikova Objavljeno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 791.43(510):305 618632 285434883 65542.pdf 65542.pdf 1 261FE4B9F0E91C372688922AC43F5A76 957e96d38dcff2eecc1c0da37a1dd788dbb151d3c01019bb933d2ec066d9a139 eb44848c-8330-11f1-9b0d-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=240443 Filozofska fakulteta 0 0 0