20.500.12556/RUL-184703 Primerjava posnetkov akustične kitare v domačem in studijskem snemalnem okolju Comparison of acoustic guitar recordings in home and studio recording environments Z večjo dostopnostjo snemalne opreme je snemanje glasbe v domačem okolju postalo bolj priljubljeno in razširjeno kot kadarkoli prej. V javnosti se pojavlja mnenje, da je snemanje v domačem okolju primerljivo s studijskim, pri čemer zvrst glasbe in produkcijski slog pogosto nista upoštevana. Vpliv snemalnega prostora je namreč bolj opazen pri glasbi, posneti predvsem akustično z mikrofoni ob minimalni prisotnosti virtualnih instrumentov oziroma programsko ustvarjenih zvokov. V diplomski nalogi primerjam dva posnetka akustične kitare, posneta v različnih prostorih, in sicer v glasbenem studiu in domači sobi. Na obeh posnetkih je odigran isti odlomek iste skladbe. Posnetke sem najprej uporabila za meritve izbranih objektivnih lastnosti prostora in posnetkov, nato pa sem se osredotočila na razlike, ki jih med posnetkoma zaznajo poslušalci. Ti so svoje dojemanje izrazili s pomočjo spletne ankete, v kateri so ob zaznani razliki izbrali njim ljubši posnetek in oba opisali z besedami. Rezultati niso pokazali velikih razlik v objektivnih meritvah. Kljub temu je večina anketirancev opazila razliko med posnetkoma, noben od njiju pa ni bistveno prevladoval kot ljubši. Tudi statistična analiza ni pokazala drugih statistično značilnih razlik pri opisih posnetkov ali povezave med skupinami anketirancev, uporabljeno opremo in izbranim posnetkom. With the increased availability of recording equipment, recording music at home has become more popular and widespread than ever before. There is a widespread belief that home recordings are comparable to studio recordings, though the genre of music and production style are often not taken into account. The influence of the recording space is, in fact, more noticeable in music recorded primarily acoustically with microphones and minimal use of virtual instruments or computer-generated sounds. In this thesis, I compare two recordings of an acoustic guitar made in different spaces: a music studio and a home room. The same excerpt from the same piece is played on both recordings. I first used the recordings to measure selected objective characteristics of the spaces and the recordings themselves, and then I focused on the differences that listeners perceived between the recordings. They expressed their perceptions through an online survey, in which, upon noticing a difference, they also selected their preferred recording and described both with words. The results did not show significant differences in the objective measurements. Nevertheless, the majority of respondents noticed a difference between the recordings, though neither one significantly stood out as the preferred choice. Furthermore, statistical analysis did not reveal any other statistically significant differences in the descriptions of the recordings or any correlation between the groups of respondents, the equipment used, and the selected recording. akustika snemanje glasbe snemanje v domačem okolju dojemanje zvoka psihoakustika acoustics music recording home recording sound perception psychoacoustics true false false Slovenski jezik Angleški jezik Diplomsko delo 2026-07-13 14:50:02 2026-07-13 14:50:16 2026-08-18 10:55:30 0000-00-00 00:00:00 2026 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 63356 288045059 Krumpak_Urska_-_Primerjava_posnetkov_akusticne_kitare_v_domacem_in_studijskem_snemalnem_okolju.pdf Krumpak_Urska_-_Primerjava_posnetkov_akusticne_kitare_v_domacem_in_studijskem_snemalnem_okolju.pdf 1 E99EDE6E06A9AA255B7533E0F0B60255 56cbd591f569c3427caf01f4eb8f0bbf38bab8fa698805ae4401549348200da5 4051bf7f-7eb9-11f1-9b0d-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=237658 Fakulteta za elektrotehniko 0 0 0