20.500.12556/RUL-184625 Primerjava slovenskih prevodov Gargantue in Pantagruela Françoisa Rabelaisa in Okroglih povesti Honoréja de Balzaca A Comparison of Slovene Translations of François Rabelais’s Gargantua and Pantagruel and Honoré de Balzac’s Droll Stories V pričujoči magistrski nalogi smo poskusili primerjati dva slovenska prevoda dveh različnih francoskih del, in sicer vseh petih knjig Gargantue in Pantagruela (Gargantua et Pantagruel) Françoisa Rabelaisa v prevodu Branka Madžareviča in Okroglih povesti (Les Cent Contes Drolatiques) Honoréja de Balzaca v prevodu Antona Debeljaka. Uvodni predstavitvi avtorjev, njihovih del ter prevajalcev in prevodov sledi šest poglavij, torej šest kategorij, v katerih smo izbrana prevoda primerjali: kompenzacija, arhaizmi, slovenjenje, opombe, besedne igre ter neologizmi. Vsako poglavje sestoji iz predstavitve pristopov enega in drugega prevajalca ter analize primerov iz obeh prevodov in primerjave med prevodoma. Poskus površinske analize, ki zajema obe celotni deli, je prinesel spoznanje, da je Debeljak s svojim intuitivnim prevodom, ki je stilsko močno podvržen prevajalčevim preferencam, v določeni meri tlakoval pot prevodom, kakršen je Madžarevičev, ki zavestno in premišljeno uporabljajo prevajalske prijeme, prinašajoč vrhunske prevode. In this master’s thesis, we have attempted to compare two Slovene translations of two different French works, namely all five books of Gargantua and Pantagruel (Gargantua et Pantagruel) by François Rabelais, translated by Branko Madžarevič, and Droll Stories (Les Cent Contes Drolatiques) by Honoré de Balzac, translated by Anton Debeljak. The introductory presentation of the authors, their works, and the translators and translations is followed by six chapters, i.e. six categories in which we compared the selected translations: compensation, archaisms, Slovenisation, notes, wordplay and neologisms. Each chapter consists of a presentation of the approaches taken by each translator, an analysis of examples from both translations, and a comparison between the two. An attempt at a superficial analysis covering both complete works has revealed that Debeljak, with his intuitive translation—which is stylistically heavily influenced by the translator’s preferences— to a certain extent paved the way for translations such as Madžarevič’s, which consciously and thoughtfully employ translation techniques, resulting in translations of the highest quality. francoska književnost / literarni prevod / prevodoslovna analiza / François Rabelais: Gargantua in Pantagruel / Honoré de Balzac: Okrogle povesti / Branko Madžarevič / Anton Debeljak French literature / literary translation / translation analysis / François Rabelais: Gargantua and Pantagruel / Honoré de Balzac: Droll Stories / Branko Madžarevič / Anton Debeljak true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2026-07-11 07:16:06 2026-07-11 07:16:12 2026-07-12 04:09:21 0000-00-00 00:00:00 2026 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 617245 65403.pdf 65403.pdf 1 FBEC0630ADFA59B37744CE7B02F572A4 550ee06a3a5c09001386cfa150294f93b1da57dc5974e9c2fbee8ce55f107a4d 7c9b01e1-7ce7-11f1-9b0d-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=237567 Filozofska fakulteta 0 0 0