20.500.12556/RUL-184561 Mesto kot posrednik travme v filmih Hiroshima mon amour (1959) in La Jetée (1962) magistrsko delo The city as a mediator of trauma in Hiroshima mon amour (1959) and La Jetée (1962) V magistrskem delu sem se ukvarjala s koncepti individualnega in kolektivnega spomina, individualne in kolektivne travme, krajev spomina (in ruševin) in navsezadnje mesta kot posrednika travme. V magistrskem delu me je zanimalo mesto kot posrednik travme v filmih Hiroshima mon amour (Resnais in Duras, 1959) in La Jetée (Marker, 1962), ki sta širše gledano del francoskega novega vala (fra. Nouvelle Vague) – filmskega gibanja s konca 50. in 60. let 20. stoletja. Oba filma naslavljata nevarnosti in posledice jedrske katastrofe. Analizirala sem, kako se prej omenjeni koncepti odražajo preko filmskega jezika. Izvedla sem narativno, semiotično in stilistično analizo izbranih filmov. Na raziskovalno vprašanje in druga podvprašanja sem odgovorila z analizo narativnih, semiotičnih in stilističnih elementov – analizirala sem zgodbo, mizansceno, kinematografske elemente, montažo in zvok. Ugotovila sem, da je v obeh filmih mesto posrednik travme; je entiteta, preko katere in v kateri se posameznica oziroma posameznik spominja in doživlja travmatičnost spominjanja. V obeh filmih so ruševine metafora za nepopolnost spomina – spomin travmatizirane posameznice oziroma posameznika je ruševina, ostalina nečesa, kar je nekoč bilo. Vendar pa je mesto tisto, ki zapolni te vrzeli. Cilj magistrskega dela je bil povezovanje konceptov z iskanjem skupnega imenovalca ter zapolnjevanje praznin, ki teoretsko še niso bile reflektirane. In my master's thesis I researched and worked with concepts of individual and collective memory, individual and collective trauma, sites/realms of memory (and ruins), and ultimately the city as a mediator of trauma. In my master's thesis, I was interested in the city as a mediator of trauma in the films Hiroshima mon amour (Resnais and Duras, 1959) and La Jetée (Marker, 1962), which, broadly speaking, are part of the French New Wave (fr. Nouvelle Vague), a film movement that emerged in the late 1950s. Both films address the dangers and consequences of a nuclear catastrophe. I conducted a narrative, semiotic, and stylistic analysis of the selected films. I answered the research question and other sub-questions by analyzing narrative, semiotic, and stylistic elements – I analyzed the story, mise-en-scene, cinematic elements, montage/editing, and sound. My analysis revealed that in both films the city is a mediator of trauma; it is an entity through which and in which the individual remembers and experiences the traumatic nature of remembering. In both films, the ruins are a metaphor for the imperfect nature of memory – the memory of a traumatized individual is a ruin, a remnant of something that once was. Nevertheless, the city is what fills in the gaps. The aim of the thesis was to connect the concepts by finding a common denominator and filling gaps that have not yet been theoretically reflected. spomin travma mesto film jedrska vojna memory trauma city film nuclear war true true false T. Ravnik Slovenski jezik Angleški jezik Magistrsko delo/naloga 2026-07-10 07:30:15 2026-07-10 07:30:19 2026-07-11 04:13:46 0000-00-00 00:00:00 2026 0 Ljubljana 0 Ljubljana 1 spletni vir (1 datoteka PDF (82 str.)) 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 316.6:791(043.2) 198799 284363523 28698.pdf 28698.pdf 1 CD0BD482F3A171A5450E6E5830D73365 302093b4cba981fea16f3296a40441cfa07e97ff0696a89e845b5337b095aae1 4eea3ccb-7c20-11f1-9b0d-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=237452 Fakulteta za družbene vede 0 0 0