20.500.12556/RUL-184497 Sestavljene prostorske podobe v zgodovini The use of composite representations of space in history and today Vsaj od prazgodovinskih vrezov ljudje z upodabljanjem prostora razlagamo in povezujemo znanje o svetu, ga uporabljamo kot sredstvo mišljenja, raziskovanja in razumevanja razmerij v prostoru. Zgodnjim formaliziranim egipčanskim sistemom registrske delitve, pripovednim rimskim mozaikom, analitičnim risbam šole Beaux Arts in sodobnim digitalnim tehnikam je sorodno načelo združevanja gradnikov v celote, ki razkrivajo odnose, funkcije in pomene, ki bi jih posamični elementi težko izrazili sami. Takšne sestavljene podobe delujejo kot orodja, ki ne prikazujejo zgolj posnetka prostora, temveč ga interpretirajo kot zaporedje postopkov, kot plastenje meril ali kot pripovedno- -analitične povezave. V prispevku je osvetljena etimološka povezava med sesta- vljanjem ali kompozicijo in učinkovitim sporočanjem, ki je v nadaljevanju prikazana preko predstavitve in razčlembe izbra- nih zgodovinskih primerov podob, ki uporabljajo premišljen način sestavljanja gradnikov, ki omogoča učinkovito sporoča- nje. Primeri vodijo do analitičnih arhitekturnih risb 19. in 20. stoletja in današnjem naboru digitalnih in analognih medijev, na podlagi katerih se odpira razmislek o ustvarjanju sestavljenih prikazov prostora v različnih obdobjih in njihovi vlogi danes, ko digitalni pristopi in nova orodja umetne inteligence omogočajo nove načine dela. Danes nastajajoče podobe morajo še vedno odgovarjati na zahtevo po razumevanju prostora, na katero lahko odgovorijo v obliki pristopa, ki deluje kot miselno orodje, ki združuje opazovanje in interpretacijo odnosov, ki se v njem pojavljajo, v eni večplastni likovni celoti. At least since prehistoric engravings, we have been using spatial representations to explain and connect knowledge about the world, using it as a means of thinking, exploring, and under- standing relationships in space. The early formalized Egyptian system of register division, narrative Roman mosaics, analytical drawings of the Beaux-Arts school, and contemporary digital techniques are all related to the principle of combining build- ing blocks into wholes that reveal relationships, functions, and meanings that would be difficult for individual elements to express on their own. Such composite images function as tools that do not merely depict a snapshot of space, but interpret it as a sequence of processes, as a layering of criteria, or as narrative- analytical connections. The article highlights the etymological connection between composition and effective communication, which is then illus- trated through the presentation and analysis of selected histori- cal examples of spatial images that use a thoughtful approach to composing elements, enabling effective communication. The examples lead to analytical architectural drawings from the 19th and 20th centuries and today’s range of digital and analog media, which open a reflection on the creation of composite representations of space in different periods and their role today, when digital workflows and new artificial intelligence tools enable new ways of working. These must still respond to the demand for understanding of space, to which composite images can respond in the form of an approach that functions as a men- tal tool, combining observation and interpretation of space and the relationships that occur within it into a single, multi-layered visual whole. risba sestavljanje kompozicija predstavitvene tehnike drawing assembly composition presentation techniques true false true Slovenski jezik Angleški jezik Članek v reviji 2026-07-08 14:13:15 2026-07-08 14:13:17 2026-07-09 04:14:26 0000-00-00 00:00:00 2025 0 Ljubljana 0 Str. 30-36 Št. 13 2025 0000-00-00 Zaloznikova Objavljeno NiDoloceno 0000-00-00 0000-00-00 2025-01-01 71:72.012(091) 2350-3637 0.15292/IU-CG.2025.13.030-036 284079107 RAZ_Gerdin_Tim_2025.pdf RAZ_Gerdin_Tim_2025.pdf 1 9C2345C26645FF4F52E53593817ADB79 06a68c622cf6a59c10d2d6385294cb8d81953cdc5800104e04c9c37ac7aaa478 480cf2f8-7ac6-11f1-9b0d-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=237359 https://www.iu-cg.org/paper/?id=134&lang=si 0 04c3fcde-7ac7-11f1-9b0d-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=237361 Fakulteta za arhitekturo Igra ustvarjalnosti 0 0 0