20.500.12556/RUL-184258 »Eneam rejicite?« Piccolominijevi ljubezenski spisi in česa se je Pij v resnici sramoval? Eneam rejicite? Piccolomini’s writings on love and what Pius was actually ashamed of Eneam rejicite, Pium suscipite oz. v prevodu: »Zavrnite Eneja, sprejmite Pija!« so zagotovo ene najpogosteje navajanih besed Eneja Silvija Piccolominija, velikega sienskega humani-sta in diplomata ter kasnejšega papeža Pija II. V širšem smislu so te besede največkrat na-vedene z namenom poudariti Piccolominijevo večno razpetost med svetom klasične an-tike, zaznamovanim s homonimnim junakom Vergilijeve Eneide, in krščanskim svetom, ki ga ponazarja njegov epitet oz. Piccolominijevo papeško ime Pius. V literarni zgodovini vse prepogosto prevladuje prepričanje, da naj bi Piccolomini z navedenimi besedami, ko je postal papež, obsodil in zavrnil literarna dela, ki jih je napisal pred cerkveno kariero, pri čemer so posebej izpostavljena tista z ljubezensko tematiko. A ob natančnejšem pregledu virov, kjer je bila zapisana Pijeva znamenita izjava, ter hkratnem branju njegovih del z ljubezensko tematiko lahko ugotovimo, da so takšne trditve zgolj senzacionalistične in pogosto izhajajo iz nepoznavanja širšega konteksta Pijevih znamenitih besed. The sentence Reject Aeneas, accept Pius! or ‘Reject Enea, accept Pius!’ is definitely among the most frequently cited quotes of Enea Silvio Piccolomini, the great Sienese humanist and diplomat who later became Pope Pius II. The phrase is often used to highlight the du-ality of Piccolomini’s complex personality, perpetually torn between the world of classical antiquity, epitomised by the eponymous hero of Virgil’s Aeneid, and the Christian world, represented by his own epithet and papal name, Pius. Too often, literary scholarship has interpreted this sentence as the new pope’s condemnation and renunciation of the liter-ary works that he had written before his ecclesiastical career, particularly those on the theme of love. However, a closer examination of the sources in which Piccolomini’s fa-mous statement appears, alongside a careful reading of his writings on love, reveals that such interpretations are sensationalistic and stem from lack of awareness of the broader context in which he wrote these resonant words. Enej Silvij Piccolomini papeži biografije zgodovina Cerkve literarna zgodovina ljubezenska proza Aeneas Silvius Piccolomini Pius II literature history true false true Založba Univerze v Ljubljani Slovenski jezik Angleški jezik Članek v reviji 2026-07-03 04:23:15 2026-07-06 12:25:28 2026-07-16 21:41:05 0000-00-00 00:00:00 2024 0 Ljubljana 0 Str. 37-56 št. 2 Letn. 26 2024 0000-00-00 Zaloznikova Objavljeno NiDoloceno 0000-00-00 0000-00-00 2024-12-27 821(091):929Piccolomini E. S. 1580-0261 10.4312/keria.26.2.37-56 232055811 RAZ_Bozic_Anja_2024.pdf RAZ_Bozic_Anja_2024.pdf 1 6346BA86D9316737D1566EF3C2F3DF44 6a60b26ce122ae1bdf5e6feca2c7c7e6ab367ecffbdd35cc71d32294d15cc6e9 f749f1e0-7926-11f1-9b0d-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=237116 https://journals.uni-lj.si/keria/article/view/22065/18033 1 09cf9a38-7686-11f1-9b0d-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=236896 Filozofska fakulteta Keria 0 0 0