20.500.12556/RUL-183967 Konserviranje-restavriranje papirnatih figuric s slike Gabrijela Stupice Atelje s poudarkom na čiščenju, odstranjevanju plesni in preventivni konservaciji Conservation-restoration of paper figurines from Gabrijel Stupica’s painting Atelje with emphasis on cleaning, mold removal, and preventive conservation Umetniško delo Atelje priznanega slovenskega slikarja Gabrijela Stupice je zgrajeno iz več elementov: akrilne slike na platnu in sedmih nanj pritrjenih figuric ter treh papirnatih elementov. Zaradi slabe kakovosti papirja in neprimernega hranjenja so figurice začele propadati. Na njih so nastale poškodbe, zato je bilo njihovo konserviranje in restavriranje nujno. Posvetili smo se predvsem izdelavi testov, s katerimi smo preverili postopke za reševanje različnih poškodb, na podlagi katerih smo izbrali primernejše metode za izvedbo konservatorsko-restavratorskih posegov v prihodnosti. To bo vključevalo odstranjevanje plesni, ki se je pojavila na eni od nog figuric, pri čemer smo raziskovali in testirali novejše metode odstranjevanja, ki vključujejo uporabo encimov in bakterij. Izvedene analize so pokazale, da imajo novejše metode zadovoljive učinke. Osredotočili smo se tudi na suho čiščenje, kjer smo testirali različne materiale, ki so pogosti v konservatorsko-restavratorski praksi na papirju. Zaradi slabe ohranjenosti figuric so bile te umaknjene v kontrolirano okolje, na izvirniku pa smo jih nadomestili z natisnjenimi kopijami, ki pa so se zvile. Zaradi tega smo se posvetili testiranju različnih premazov proti zvijanju na v raziskovalne namene posebej natisnjenih kopijah figuric. Testi so pokazali, da so nekatera sintetična lepila primerna za preprečevanje zvijanja v kombinaciji s podlepljanjem. Pripravili smo tudi predlog za trajno hrambo ranljivih izvirnikov. The artwork Atelje by the renowned Slovenian painter Gabrijel Stupica is composed of two primary materials: an acrylic painting on canvas and seven attached figurines, along with three paper elements. Due to the poor quality of the paper and improper storage, the figurines began to deteriorate. Damage appeared on them, making their conservation and restoration necessary. We have focus primarily on the development of tests to evaluate procedures for addressing various types of damage, based on which more suitable methods for future conservation-restoration interventions will be selected. This has included the removal of mold that appeared on one of the figurines’ legs, where we will test newer removal methods involving the use of enzymes and bacteria. The analyses carried out have shown that these newer methods yield satisfactory results. We have also focus on dry cleaning, where different materials commonly used in paper conservation-restoration practice were tested. Due to the poor condition of the figurines, they were removed and replaced with printed copies, which subsequently warped. To address this issue, we conducted tests using various anti-warping coatings on specially printed copies of the figurines for research purposes. The tests demonstrated that certain synthetic adhesives are suitable for preventing warping when combined with lining (backing). We also prepared a proposal for the long-term storage of both the fragile originals. konserviranje-restavriranje papirnate figurice plesen glive bakterije encimi odstranjevanje suho čiščenje premazi zvijanje magistrska naloga conservation-restoration paper figurines mold fungi bacteria enzymes removal dry cleaning coatings curving MA thesis true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2026-06-23 09:01:09 2026-06-23 09:01:14 2026-06-24 04:17:18 0000-00-00 00:00:00 2026 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 38244 12765.pdf 12765.pdf 1 89AED55B10789581F9B3228503B3EC44 5cace2b27f8ec64a566432243da6d599f17c21fb537bd840a06323b3d8a6dcef 3efd849f-6ed1-11f1-9b0d-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=236305 Akademija za likovno umetnost in oblikovanje 0 0 0