20.500.12556/RUL-183877 Žrtve in odrešiteljice (Primerjava izbranih tragičnih ženskih likov iz Puccinijevih in Wagnerjevih oper) Victims and Redeemers (A Comparative Study of Tragic Female Characters in Puccini's and Wagner's operas) Predložena magistrska naloga prinaša primerjavo šestih tragičnih ženskih vlog iz oper Giacoma Puccinija in Richarda Wagnerja, dveh najpomembnejših predstavnikov italijanske in nemške pozne romantike, z razlago obravnavanih arhetipov: arhetipa žrtve in arhetipa odrešitelja. Ob tem izpostavlja, da na dojemanje ženskih vlog kot žrtev ali odrešiteljic poleg zunanjih okoliščin močno vplivata njihov značaj in notranja drža. Prikazane so osebnostne lastnosti, ki sodijo k posameznemu arhetipu. Kot žrtve so opredeljene vloge v Puccinijevih operah, kot odrešiteljice pa v Wagnerjevih, s poudarkom, da interpretacija ni nujno črno-bela in da se oba arhetipa lahko med seboj tudi prepletata. Opis različnih idejnih izhodišč obeh skladateljev kaže, da je Puccini prej verist kot pozni romantik, saj so njegove zgodbe v veliki večini realistične oz. celo naturalistične, medtem ko je Wagner pravi pozni romantik, ki se ukvarja z mitološkimi, epskimi tematikami, prepletenimi z vplivom tedanjih nemških filozofov. Predstavljena je vsebina obravnavanih oper in analiza izbranih vlog: Mimì iz La bohème, Elisabeth iz Tannhӓuserja, Cio-Cio-San iz Madame Butterfly, Senta iz Letečega Holandca, Tosca iz istoimenske opere in Brünnhilde iz Somraka bogov. Delo lahko služi tudi kot vzorčni model in izhodišče za nadaljnje poglabljanje v psihološki aspekt opernih vlog. This thesis compares six tragic female roles from the operas of Giacomo Puccini and Richard Wagner, two of the most influential composers of late Romanticism in Italy and Germany, respectively. The focus lies on the exploration of two central archetypes: the victim and the redeemer. The interpretation of these characters is shaped not only by their external circumstances but also by their personality traits and inner emotional stances. The archetypes are delineated through a set of defining psychological characteristics. In this context, Puccini’s heroines are predominantly identified with the victim archetype, while Wagner’s embody the redeemer—though this categorization is not absolute, as elements of both archetypes can coexist within a single character. The differing artistic and ideological foundations of the two composers are examined. Puccini, though often associated with late Romanticism, is more accurately placed within the verismo movement, given the realistic—even naturalistic—quality of most of his operatic narratives. Wagner, on the other hand, represents the full expression of German late Romanticism, characterized by mythological and epic themes and heavily influenced by contemporary German philosophy. The contents of the selected operas are summarized and the featured roles are analyzed in depth: Mimì from La Bohème, Elisabeth from Tannhäuser, Cio-Cio-San from Madama Butterfly, Senta from Der fliegende Holländer (The Flying Dutchman), Tosca from Tosca, and Brünnhilde from Götterdämmerung (Twilight of the Gods). Particular attention is paid to the characters’ psychological development, inner conflicts, and the ways these inform vocal interpretation and stage embodiment. This work may serve as both a theoretical framework and a practical guide for further exploration of the psychological and performative dimensions of operatic roles. Tragične ženske vloge opera Giacomo Puccini Richard Wagner arhetipi Tragic female roles opera Giacomo Puccini Richard Wagner archetypes true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2026-06-20 07:21:01 2026-06-20 07:21:11 2026-06-21 04:14:30 0000-00-00 00:00:00 2026 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 44520 14967.pdf 14967.pdf 1 27C5707E164C5E132B812A53E0600A9A 269cb1811814e2e7613ac4ccbac9ab9af8f234fd6ac12fe9a792ae693a7b352e c85228ba-6c67-11f1-9b0d-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=236185 Akademija za glasbo 0 0 0