20.500.12556/RUL-183813 Ilustrativna tipografija Illustrative Typography V diplomskem delu bom raziskoval povezavo med tipografijo in ilustracijo. Kako lahko vključim ilustrativne elemente v čitljive ali nečitljive črkovne forme? Delo bo temeljilo na eksperimentiranju z različnimi črkovnimi oblikami, tehnikami in učinki. Zanima me, kako zelo se lahko oddaljim od čitljivosti, da postanejo predvsem estetski dodatek, a kljub temu še vedno ohranijo svojo funkcionalnost znotraj mreže celotnega fonta. Čeprav je posamezna črka nečitljiva, jo lahko potrpežljiv bralec z nekaj truda dešifrira. Vključitev ilustracije v črkovne oblike je znana že iz srednjega veka, na primer pri iluminiranih inicialkah, ki so imele tako estetsko kot pripovedno funkcijo. Moje vprašanje je, ali lahko z vključitvijo ilustrativnega elementa črkam pripišem dodaten ali celo povsem nov pomen. V svoje delo bom vključil tudi tehnološki vidik, predvsem raziskovanje možnosti variabilnosti fonta. V mojem primeru se variabilnost ne bo izražala v spreminjanju teže ali velikosti črk, temveč v preobrazbi ilustrativnega dela. Ilustracija znotraj črkovne oblike se bo prilagajala in spreminjala. Navdih za oblike črpam iz literarnega dela. Končni izdelek bom predstavil v obliki publikacije, v kateri bodo prikazani primeri praktične uporabe nastalega fonta. In my thesis, I will explore the connection between typography and illustration. How can I incorporate illustrative elements into legible or illegible letterforms. The work will be based on experimenting with various letterforms, techniques, and effects. I am interested in how far I can push the legibility of letters so that they become merely an aesthetic addition, yet still retain their functionality within the grid of the entire typeface. Even if an individual letter is illegible, a patient reader can decipher it with a little effort. The incorporation of illustration into letterforms dates back to the Middle Ages, for example in illuminated initials, which served both an aesthetic and a narrative function. My question is whether I can add additional or even entirely new meaning to letters by incorporating an illustrative element. I will also incorporate a technological aspect into my work, primarily exploring the possibilities of font variability. In my case, this variability will not be expressed through changes in the weight or size of the letters, but rather through the transformation of the illustrative element. The illustration within the letterform will adapt and change. I draw inspiration for the resulting forms from an existing literary work, which serves as the basis for creating the images. I will present the final product in the form of a publication featuring examples of the practical application of the resulting font. vizualne komunikacije ilustracija tipografija pisanje brez semantičnega pomena čitljivost diplomsko delo visual communications illustration typography asemic writing readability BA thesis true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2026-06-19 09:00:08 2026-06-19 09:00:30 2026-06-20 04:20:06 0000-00-00 00:00:00 2026 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 38201 12786.pdf 12786.pdf 1 2CCFFF284092A0917C1987B158DD5BDF 5bcd2bda40c093d73a72303b49e2567246eaae8e312485ac3dcfe1733db2a78e 89a4a120-6bac-11f1-9b0d-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=236006 12787.pdf 12787.pdf 1 9A598C6840472EB36F5A777564A832D5 c7a814486b9dd03ccab50fd912ae47892e94c248f0508fcaccfd7078d7341c60 8d44e49e-6bac-11f1-9b0d-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=236009 Akademija za likovno umetnost in oblikovanje 0 0 0