20.500.12556/RUL-181967 Konserviranje-restavriranje fragmenta stenske poslikave iz emonske insule XVII, soba III Conservation – restoration of the fragment from the wall painting from insula XVII in Emona, room III V magistrski nalogi obravnavamo konservatorsko-restavratorski poseg na fragmentu emonske stenske poslikave iz Muzeja in galerij mesta Ljubljana (MGML). Cilj naloge je bil samostojno izvesti konservatorsko-restavratorski poseg in fragment namestiti na nov, lahek, a dovolj trden nosilec, tako da bo vidna stenska poslikava fragmenta in bodo pri tem uporabljeni združljivi ter odstranljivi materiali. Na začetku naloge predstavimo zgodovino fragmenta in prvotno nahajališče v Emonski insuli XVII, v sobi III. Sledijo okoliščine zaradi katerih je sploh prišlo do obravnave v tej nalogi in opis stanja fragmenta pred posegom. Nadaljujemo z opisom konservatorsko-restavratorskih postopkov. Sprva neznan motiv fragmenta stenske poslikave se sredi posega pokaže in preseneti s svojo ohranjenostjo slikovne plasti. Posebna pozornost je namenjena izdelavi novega nosilca fragmenta, ki mora nositi veliko težo in hkrati biti dovolj lahek. Izdelava novega nosilca zajema raziskovanje in preizkušanje materialov, načinov konstruiranja in spajanja različnih materialov v celoto. In this master's thesis, we discuss the conservation and restoration work on a fragment of the Emona wall painting from the Museum and Galleries of the City of Ljubljana (MGML). The aim of the thesis was to independently conduct the conservation and restoration work and mount the fragment on a new, light, but sufficiently strong support, so that the fragment of the wall painting will be visible, and compatible and removable materials will be used. At the beginning of the thesis, we present the history of the fragment and its original location in Emona's insula XVII, in room III. The circumstances that led to the consideration in this thesis and a description of the condition of the fragment before the work started. We continue with a description of the conservation and restoration procedures. The initially unknown motif of the wall painting fragment appears in the middle of the work and surprises with its well-preserved pictorial layer. Special attention is paid to the making of a new support for the fragment, which must bear a lot of weight and at the same time be sufficiently light. The making of a new support involves researching and testing materials, methods of construction, and combining varied materials into a whole. konservatorstvo-restavratorstvo Emona insula stenska poslikava lahek nosilec sendvič plošča magistrska naloga conservation-restoration Emona insula wall painting lightweight support sandwich panel MA thesis true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2026-04-21 09:00:07 2026-04-21 09:00:17 2026-04-22 04:28:33 0000-00-00 00:00:00 2026 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 38099 12671.pdf 12671.pdf 1 56EBA28F90FA9A16C5B58D0C27F35BDF 14391294e4cbb6beaf9984cbb7ed7a830396b9cbbd3b505d1d64c3fc7115560d 84cf8fa2-3d4f-11f1-b0ab-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=232803 Akademija za likovno umetnost in oblikovanje 0 0 0